Explore Quotes on Stories

I glance at the headlines just to kind of get a flavor for what's moving. I rarely read the stories, and get briefed by people who are probably read the news themselves.

Some will remember an image of a fire or story or rescue. Some will carry memories of a face and a voice gone forever. And I will carry this. It is the police shield of a man named George Howard who died at the World Trade Center trying to save others. It was given to me by his mom, Arlene, as a proud memorial to her son. It is my reminder of lives that ended and a task that does not end.

If we are to prosper together in our increasingly small world, we must listen to -- and learn from each other's stories

In all honesty, at that time, I never saw myself as an author... I was just a Mom in a state of panic, trying to enter a short story contest to win the prize money in order to keep the lights on in my home.

I like good stories above all else... and kickin' art really goes the final stretch to ensure a comic is good.

Read to your children all of the time_x000D_Novels and nursery rhymes_x000D_Autobiographies, even the newspaper_x000D_It doesn't mater; it's quality time_x000D_Because once upon a time _x000D_We grew up on stories in the voices in which they were told _x000D_We need words to hold us and the world to behold us _x000D_For us to truly know our souls

I enjoyed showing a bit more leg in the last few stories. It was good fun, but it can be quite sexist. But it doesnt worry me personally all that much.

There's the downtown area of Tupelo. Did you see the skyscrapers? Two stories.

Life is a B Movie: it's stupid and it's strange, it's a directionless story, the dialogue is lame, but in the 'he said she said' sometimes there's some poetry, if you turn your back long enough and let it happen naturally.

What bugs me is that you believe what you're saying. What bothers me is that you don't know how you feel. What scares me is that while you're telling me stories, you actually believe that they are real.

If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.

Everything is explained now. We live in an age when you say casually to somebody 'What's the story on that?' and they can run to the computer and tell you within five seconds. That's fine, but sometimes I’d just as soon continue wondering. We have a deficit of wonder right now.

I dont work weekends. Weekends are for my kids. And I have dinner at home every night when Im not physically directing a movie - I get home by six. I put the kids to bed and tell them stories and take them to school the next morning. I work basically from 9.30 to 5.30 and Im strict about that.

I have never sold my story, done Hello! magazine, any of that stuff. I'm not guilty of exploiting my private life for cash and then saying, 'Oh, I don't want to talk about my private life.' I've never crossed that line.

The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.

In Hollywood if you're good looking, tall, have OK teeth and nice skin, the odds of being successful are great. If you're short and fat, it's a different story. But as long as you look like a leading man type, half your job is done already

We're going to develop - what we want to do is to provide the viewers with what they want from CNN and that is the news. So when people tune in, they'll get the latest news, but they'll also get the biggest story of the day in depth, as CNN does so well

Just when you thought the mafia novel was dead, Tod Goldberg breathes new life into it. Gangsterland, the best mafia novel in years, is a dark, funny, and smart page-turning crime story. It's also a moving, thoughtful meditation on ethics, religion, family, and a culture that eats itself. I loved this book.

Michael Ondaatje’s work taught me how to be at home in fragments, and how to think about a big story in carefully curated vignettes. All his books were odd, all of them ‘unfinished’ the way Chopin’s Études are unfinished: no wasted gestures, no unnecessary notes.

Not everyone's life will be a great love story.

The most important part of a RPG is the player feeling like they are taking the role of a character in a fully realised fantasy world. They can explore, visit various towns and places, talk to people, customise their character, collect various items, and defeat monsters. The story is not the focus of the experience and is only there to make the atmosphere of the fantasy world more interesting and engaging during the course of the game.