People have responded to my stories so well. They come up after a show and say things like, 'Your album really helped me,' or 'I have stage four cancer. I'm terminally ill.' Somebody told me it gave them the courage to die.
Tig NotaroRead
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People have responded to my stories so well. They come up after a show and say things like, 'Your album really helped me,' or 'I have stage four cancer. I'm terminally ill.' Somebody told me it gave them the courage to die.
I'm a failed poet. Maybe every novelist wants to write poetry first, finds he can't, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
With artificial intelligence, we are summoning the demon. You know all those stories where there's the guy with the pentagram and the holy water, and he's like, yeah, he's sure he can control the demon? Doesn't work out.
My brother Billy was the joke teller. My brother Jim had a really sharp, cutting wit. And the teller of long stories, that was my brother Ed. As a child, I just absorbed everything they said, and I was always in competition for the laughs.
When thousands of people discover that their story is also someone else's story, they have the chance to write a new story together.
When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it.
To all those broken or hopeless, I have learned this: Be grateful for every single person who was part of your story. The ones that hurt you. The ones that helped you. The ones that came, and the ones that left. They all taught you. Don't think for a moment that any of it was random. There are no oversights with God. Only perfectly crafted chapters in each unique journey.
Its not a story in which the characters grow up, but a story in which they draw on something already inside them, brought out by the particular circumstances. I want my young friends to live like that, and I think they, too, have such a wish.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit.
When you listen to other women's stories you begin to understand your own better and you begin to find ways back through and with each other.
We learn best to listen to our own voices if we are listening at the same time to other women - whose stories, for all our differences, turn out, if we listen well, to be our stories also.
And the story of love is a long sad tale ending in graves.
People can see themselves in a story much easier than they can see themselves in a hypothetical situation that a brand might present to them. So telling stories to build a relationship with your audience is usually far more effective than other methods of marketing or publicity.
You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
Sometimes I'm asked if I do research for my stories. The answer is yes and no. No, in the sense that I seldom plow through books at the library to gather material. Yes, in the sense that the first fifteen years of my life turned out to be one big research project.
I've yet to meet somebody who said, 'Your stories are so revolting I couldn't read them.'
I truly believe that if we keep telling the Christmas story, singing the Christmas songs, and living the Christmas spirit, we can bring joy and happiness and peace to this world.
The living owe it to those who no longer can speak to tell their story for them.
I never told a victim story about my imprisonment. Instead, I told a transformation story - about how prison changed my outlook, about how I saw that communication, truth, and trust are at the heart of power.
Plot is a map and I begin with it. It is what made me admire the novels of the 19th century; that the stories are foreshadowed. TheyÕre going someplace.
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