And he found himself thinking that maybe stories don't just make us matter to each other - maybe they're also the only way to the infinite mattering he'd been after for so long.
John GreenRead
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And he found himself thinking that maybe stories don't just make us matter to each other - maybe they're also the only way to the infinite mattering he'd been after for so long.
As writers we live life twice, like a cow that eats its food once and then regurgitates it to chew and digest it again. We have a second chance at biting into our experience and examining it. ...This is our life and it's not going to last forever. There isn't time to talk about someday writing that short story or poem or novel. Slow down now, touch what is around you, and out of care and compassion for each moment and detail, put pen to paper and begin to write.
The world that birthed that story is long gone, all its people are dead, but it continues to touch the present and future because someone cared enough about that world to keep it. To put it in words. To remember it.
The poem is in my hands, and can run stories through her hands.
How can we satisfy ourselves without going on in infinitum? And, after all, what satisfaction is there in that infinite progression? Let us remember the story of the Indian philosopher and his elephant. It was never more applicable than to the present subject. If the material world rests upon a similar ideal world, this ideal world must rest upon some other; and so on, without end. It were better, therefore, never to look beyond the present material world.
If we can share our story with someone who responds with empathy and understanding, shame can't survive.
A story should be like a river, flowing and never stopping, your readers passengers on a boat, whirling downstream through constantly refreshing and changing scemery.
When you're my age and you see a story, you better go for it pretty quickly. I'd just like to get a few more novels under my belt.
It's as if God gave you something-all those stories- and said, "Here you are. Try not to lose it." But children lose everything unless somebody is there to help them, and if your parents are too stupid to do it, maybe i ought to.
Our story is never written in isolation. We do not act in a one-man play. We can do nothing that does not affect other people, no matter how loudly we say, "It's my own business.
Who knew what evil lurked in the hearts of men? A copper, that's who. (...)You saw how close men lived to the beast. You realized that people like Carcer were not mad. They were incredibily sane. They were simply men without a shield. They'd looked at the world and realized that all the rules didn't have to apply to them, not if they didn't want them to. They weren't fooled by all the little stories. They shook hands with the beast.
The value of the myth is that it takes all the things we know and restores to them the rich significance which has been hidden by ‘the veil of familiarity.’ The child enjoys his cold meat, otherwise dull to him, by pretending it is buffalo, just killed with his own bow and arrow. And the child is wise. The real meat comes back to him more savory for having been dipped in a story…by putting bread, gold, horse, apple, or the very roads into a myth, we do not retreat from reality: we rediscover it.
The story of human intimacy is one of constantly allowing ourselves to see those we love most deeply in a new, more fractured light. Look hard. Risk that.
Only library books speak with such wordless eloquence of the power good stories hold over us.
Stories are the only enchantment possible, for when we begin to see our suffering as a story, we are saved.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
I learned that myth doesn’t mean a lie; it means a traditional story that tells you something about people and their worldview and what they hold sacred. Interesting.
How do you know that you are not part of a book? That someone's not reading your story right now?
The stories we hear in our childhood are the ones we remember all our lives.
we lived in the gaps between the stories
Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.
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