A premium site with thousands of quotes
I think the role of science fiction is not at all to prophesy. I think it is to tell interesting, vivid, strange stories that at their best are dreamlike intense versions and visions of today.
Seeing your music, how it actually affects people, it just encourages me to stay true to myself and write stories that I relate to and that are real to me, an experience that I've had.
The best way we can encourage people to create companies that create jobs is to celebrate the diverse entrepreneurial stories and the variety of drivers that led these entrepreneurs to sticking their necks out.
I didn't get a normal school life, and my sisters have told me so many fun stories about college, so I'm just so excited.
I am drawn, as a reader, to detail-drenched stories about human lives affected as much by the internal as by the external, the kind of fiction that Jane Smiley nicely describes as 'first and foremost about how individuals fit, or don't fit, into their social worlds.'
I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.
There is something in human beings that loves stories.
I have a variety of readers from across the diasporic community, not just from South Asia. I like to write large stories that include all of us - about common and cohesive experiences which bring together many immigrants, their culture shocks, transformations, concepts of home and self in a new land.
I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.
You can totally work with brands. People love seeing that, but you have to build stories. You have to build credibility, and those brands have to really be the perfect fit for yourself.
When I was a teenager, 'Playboy' was the most interesting magazine in the world, and not just for the playmates. I liked the interviews and the stories, and all that, but nowadays most of the stuff in there doesn't interest me.
My biggest enemy for the longest time was my head. When I first became successful, it made me anxious because I was overthinking everything, and you hear so many 'fail' stories.
All black art is always judged to illuminate our experience and prove that our stories and our history and our lives matter. And that goes back to Ralph Ellison, James Baldwin, Langston Hughes, Zora Neale Hurston - take your pick.
Black writers seldom get the opportunity to write superhero stories.
Most superheroes, when you look at origin stories - before they invent their costume, they just go with what's around.
The power that you have as a storyteller is to be able to tell stories that are at once entertaining but also never lose sight of what's going on in the real world.
Being in the public eye, I have certainly gone through the tabloid situation where they come out with stories that are not true. I don't read or pay attention to it.
Through their 'Making a Difference' franchise, I am excited to work with NBC News to continue to highlight stories of organizations and individuals who make their communities and our world healthier, more just and more humane.
I like fiction. I love all sorts of love stories, I think. I even watched '17 Again.'
I always saw the best reporters as ones you hardly ever saw other than when they were back in the newsroom, writing their stories.
You look at, like, a 'People' magazine, which used to be a really good, you know, nice magazine you could go to for real stories. It wasn't like a 'Star' or an 'US Weekly' and they have somebody with plastic surgery on the cover, Heidi Montag. And it's obviously what consumers want, because why else would they be doing it?
Subscribe and get notification from us