Every story I create, creates me. I write to create myself.
Octavia E. ButlerRead
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Every story I create, creates me. I write to create myself.
'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate.
Honesty allows us to live with not knowing. We do not know the full story; we do not know where we are in the story. We do not know who, ultimately, is at fault or who will carry the blame in the end.
I remember back in the 1960s - late '50s, really - reading a comic book called 'Martin Luther King Jr. and the Montgomery Story.' Fourteen pages. It sold for 10 cents. And this little book inspired me to attend non-violence workshops, to study about Gandhi, about Thoreau, to study Martin Luther King, Jr., to study civil disobedience.
Money is the probably the most successful story ever told. It has no objective value... but then you have these master storytellers: the big bankers, the finance ministers... and they come, and they tell a very convincing story.
Reality, by itself, becomes a story by Philip K. Dick.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
People can see themselves in a story much easier than they can see themselves in a hypothetical situation that a brand might present to them. So telling stories to build a relationship with your audience is usually far more effective than other methods of marketing or publicity.
I don't start a film with the heroine but with the cinema subject. If there is a woman in the story, she has to be of a particular type. It's not as if I start with Madhuri Dixit and then think what kind of film.
Our identities really are a constant negotiation between the story we tell about ourselves and the narrative our societies like to recite.
Great stories are still just great yarns. News remains the best human drama ever. Technology is not changing the story; it is just changing the way in which we deliver it.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.
If you hear a statistic, you will make up a story to go with it, because our brains are organized on narrative. And you may very well make up a wrong story because you only have one fact, which is a statistic.
There are lots of similarities between being a writer and a lawyer: to tell a story to a jury, hold their attention, make them laugh, make them like you. But what makes being a barrister less satisfying than being a writer is, finally, that it's about what someone else wants you to say.
Sometimes you get the cynical person saying, 'Do we really need another book set in Nazi Germany?' But I think you just have to ask, 'Is this a story worth telling?'
Although I'm not actually embarrassed by this, I tend not to read books that have awesome movies made from them, regardless of how well or badly the movie represented the actual written story.
For many terrorists, carrying out an attack allowed them to become the heroes of their own story.
A 90-minute time frame is not long enough to tell a good female story, and that's why long-format television has become so great for female storytelling and for female performers and directors and writers.
Any good story can galvanize a person, make him/her think about things a different way, reassess their own motives and needs, but that's never my intent. That's an unintended consequence of me just trying to entertain, to write what we used to call 'ripping yarns.'
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