The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
James CameronRead
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
Interpretation
James Cameron reflects on the rewarding experience of expanding the 'Avatar' universe, realizing its depth requires more than two films.
In this quote, James Cameron expresses his profound satisfaction with the creative journey of developing the 'Avatar' franchise. He acknowledges that the intricacies of the world, its narrative, and the characters he created have evolved beyond his initial expectations, leading him to conclude that the story's richness is such that multiple films are necessary to fully explore and represent the vision he has for it.
In practice
During a presentation about the impact of creativity in film.
The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
To convince people to back your idea, you've got to sell it to yourself and know when it's the moment. Sometimes that means waiting. It's like surfing. You don't create energy, you just harvest energy already out there.
I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]
But failure has to be an option in art and in exploration - because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
Every time you dive, you hope you'll see something new - some new species. Sometimes the ocean gives you a gift, sometimes it doesn't.
Art for art's sake makes no more sense than gin for gin's sake.
I always wanted to make a three-record set. 'Sign o' the Times' was originally supposed to be a triple album, but it ended up as a double.
Maybe, as a Chinese woman, I was never told I would be a filmmaker, so I didn't have the ego set up.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
I never like to think that I design for a particular person. I design for the woman I wanted to be, the woman I used to be, and - to some degree - the woman I'm still a little piece of.
I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.
Subscribe for the occasional hand-picked quote. No noise.