The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
James CameronRead
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
Interpretation
Start creating and don't worry about perfection or scale; just begin your journey as an artist.
This quote by James Cameron emphasizes the importance of taking the first step in creative endeavors. It suggests that anyone can call themselves an artist or director simply by creating something, regardless of its size or perceived quality. The focus is on the act of creation itself, rather than the external validation or monetary aspects that may follow.
In practice
In a workshop on filmmaking, when encouraging students to start shooting their projects.
The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.
To convince people to back your idea, you've got to sell it to yourself and know when it's the moment. Sometimes that means waiting. It's like surfing. You don't create energy, you just harvest energy already out there.
I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]
But failure has to be an option in art and in exploration - because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks.
Every time you dive, you hope you'll see something new - some new species. Sometimes the ocean gives you a gift, sometimes it doesn't.
I'm a storyteller; that's what exploration really is all about. Going to places where others haven't been and returning to tell a story they haven't heard before.
In architecture the idea degenerated. Design allows a more direct and pleasurable route.
I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
When we talk about music, we talk about our reaction to it. One person might say that music is so poetic, while another says it's all mathematics. Yet another might say it's about sensuality, and so on. That's all true. But music is not just one of these things. It's everything all at once.
I've been very fortunateit's just been an amazing piece of luck. I haven't had to suffer for my art but I've suffered enough inside to hopefully be called an artist.
Photography, sculpture, and painting were wielded as cultural weapons over the course of generations to substantiate the idea that black people were inherently subordinate beings; they were used to make slavery acceptable and to make black subjugation more palatable.
My books piled up before me for my use waiting in space where I placed them, they haven't disappeared, time's left its remnants and qualities for me to use -- my words piled up, my texts, my manuscripts, my loves.
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