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If you have a strong sense of who you are and what you're doing, then it's actually easier to work with other people, because you don't have to worry about them or yourself. You're just worrying about getting the best product, and all that other stuff is out of the way.
The darker, more complex and emotional the part is, the easier it is for me. But I don't take any of that stuff home with me at the end of the day.
So my favorite part of the industry was always the drama, the trash-talk, all that kind of stuff. And if you can throw in hard-hitting action on the back end of that, that's amazing.
It's important not to censor yourself and not to get upset or demoralized when you write bad stuff.
I don't like to spend time in endless meetings talking about stuff that isn't going to get anything done. I have meetings, but they're short, prompt and to the point.
I just love scary stuff! I'm a huge horror buff.
I hate tight, tight stuff showing every line. I want to be sick when people are in Lycra.
I think the great thing about working for Marvel is no matter who is in the driver's seat, they seem to be making good stuff.
I like to go after the foibles, basically of beliefs that are held without question. If people still want to believe in their stuff after that, that's great - as long as they just have a chance to step back and look at it for a second. Sometimes, you don't even realize what you've been thinking for 20 years.
When a new manager comes in, every player has a little question mark over his head, and you want to show your best stuff and want to impress.
I started writing poems, and when I first tried prose, I wrote bad articles and essays and columns, and I didn't have a handle on it. I didn't go to a school that really taught you how to write that stuff.
I really only put stuff out when I have something to say and I feel like I've got a direction and I've got an idea - and that can even take two, two-and-a-half years to flesh out.
Oh, I shop all over the place, really. Like I love department stores like Barney's and Saks and stuff like that. But I also just like to walk in Soho and find some interesting boutique that doesn't really have a huge name or following, and I'll go in and find something amazing.
I have an allowance for clothes and stuff.
I like to talk to people on the phone. I don't like to do critical stuff by text message.
I know exactly what I want to buy and I spend very little time, maybe 15 hours a year, buying stuff. I'll go in and out of Dunhill in 45 minutes and pick out a few suits. Boom. And I'm gone. I get my shirts at Charvet. I go in there - woosh - and buy 12 shirts and some ties; once a year and that's it.
And much as Wine has played the Infidel, And robbed me of my Robe of Honor Well, I often wonder what the Vintners buy One half so precious as the stuff they sell.
Digital photography and Photoshop have made it very easy for people to take pictures. It's a medium that allows a lot of mediocre stuff to get through.
I'm sure I'll get lambasted for this, but I don't get the Asuka thing. Like, I really don't. She's fine, and she's solid, but I don't know. Even going back to the NXT stuff, I've watched it. I don't know. I just never really bought in.
I saved everything, all my gear over the years: my trench coats and stuff that I have saved. It is all packed away nicely and neatly in vacuum-sealed bags and all that stuff.
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