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I'm sure I'll get lambasted for this, but I don't get the Asuka thing. Like, I really don't. She's fine, and she's solid, but I don't know. Even going back to the NXT stuff, I've watched it. I don't know. I just never really bought in.
I saved everything, all my gear over the years: my trench coats and stuff that I have saved. It is all packed away nicely and neatly in vacuum-sealed bags and all that stuff.
The high-grossing films are not all that interesting to me, I have to say. It's not stuff I would want to be in. Yes, you would want the big paycheck, but that's never really been my concern.
And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
When you're doing a car chase movie, you're sitting in car waiting for places or grips or stuff for quite a while.
Mel Brooks is an interesting one because he started out making films about stuff that he was totally affectionate about, like musicals, westerns, horror films, Hitchcock films. And then, as they get further on, and you get to 'Spaceballs,' then it's just kind of contrived.
I feel like anyone who's ever wanted to be a performer went through this phase, where you thought that being funny equaled doing stuff you already saw on TV.
I really started writing at the Groundlings. We all have to write all our own sketches and stuff.
I always dug the stuff like the covered dish suppers because I could feel the fun and the joy of what church could be. I could feel God in the more social things; most kids probably feel this way.
I grew up in a family that went to church every Sunday and then I went to youth group during the week and covered dish suppers and stuff like that.
I had done stuff before, a lot of fun stuff, but 'Vice Principals' was the first one where I was like, 'Oh yeah, this is exactly what I'm supposed to be doing at the exact time I'm supposed to be doing it.'
I've managed to keep a lot of respect in radio because I write my own stuff. I've had a lot of success as a singer/songwriter. I think if you establish yourself that way, it is harder to throw you out with the bathwater.
I write different kinds of stuff, from 'Two Dollars In The Jukebox' to 'Suspicions,' that really don't belong next to each other on an album.
You have these rap groups talking about 'Fight The Power' and that kind of stuff. What do they mean by that? Fight democracy? Fight the government, the most freest Superpower government in the world? What they need to fight is what's holding them back from getting educated and moving along in life.
They've always had a hard time categorizing me, it seems, even though most of my stuff is country of one kind or another - usually country spilling over into the old adult-contemporary charts.
I have always come out of left field with my stuff.
Years ago, I carved out an identity, and it has always been about having a voice to tell people about stuff I love.
I love 'Game of Thrones.' Even though I hated the way the last two seasons ended, like many of the fandom, but I do love the 'GOT' world and stuff like the lore.
Hot Stuff' Eddie Gilbert was really the first guy to inspire me. My mom got a Memphis wrestling tape from the Bronx and I saw Gilbert and that was it. He was definitely the first guy who made me think I wanted to do this. He doesn't get enough credit.
It is very easy to be lazy and churn out the same stuff because you have done it before but we have never followed that and we always try to push to create new things.
All that political stuff Delano was doing. Me, I've gone off the top, into total fantasy.
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