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The studios gotta start making more stuff where black folks get quality stuff. But I can't trip about that because I've been making movies for 35 years, and I've played everything from an old lady to a donkey, so I can't be on here talking about, 'They don't give us enough roles' and diversity.

You know why they think I'm reclusive? I don't do the Hollywood stuff. I've never been on the circuit.

I stopped doing standup because it stopped being fun. And the reason it stopped being fun was it was harder to write - and this was before the Internet - it was harder to write new stuff. It had gotten so crazy.

Growing up, I liked all the stuff that everyone else was listening to, like Motown, but the biggest group of all was The Beatles.

Ultimately, when I go back to the stage, I want to be able to do everything. I want to be able to do music and comedy and all that stuff; that's what all this stuff is leading to.

You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.

When it comes to jiu-jitsu, enthusiasm, being able to say the right stuff and the best stuff, no one comes close to Joe Rogan. He just smashes everybody.

I've got a design for an airship in my head, which I'm going to play around with. I've got ideas for buildings and studios and all kinds of stuff.

There's a lot of good fans out there, but there's also a lot of bad - I don't want to say bad people, but a lot of people who just want to try to get on your nerves and stuff like that, man.

I have some property. We have a few acres, so I like working on it, whether it's cutting stuff down, cleaning stuff up, building steps, or working with concrete, you know, brickwork.

In the past 10 years, I've looked at life as this Pollock stuff. And now I'm almost in the post Pollock phase.

Most of the best writing, the most creative writing, the most interesting, the most out-of-the-box kind of stuff, is being done on cable, you know, and on the computer. I mean, whatever it is, Amazon or Netflix or something. Because they're just willing to take chances, you know, and there's a market for it.

I read comics and stuff. I buy a lot of comics, a lot of films and boxsets.

My first job was with an auto plant, Kansas City - they treated you like slaves. From there I went back to Chicago, worked in steel mills, drove a cab, stuff like that.

When you're 19, girlfriends are girlfriends. Then you start thinking about the rest of your life and stuff. I don't know; something happens with your glands. Your alimony gland.

I go to correctional facilities and talk to kids there. They have little kids in there who are, like, 12 years old, stealing cars and stuff like that.

Why do you think the fans like us - why they prefer our street raps over all that phony stuff out there? Because we're telling the real story of what it's like living in places like Compton. We're giving them reality. We're like reporters. We give them the truth.

Orchestras are not used to playing the kind of stuff jazz musicians like to play. It requires a lot of rehearsal and recording time, so it's much easier to do on a synth or sampler. So, we came up with that idea.

When I was little, seven or eight years old, in third and fourth grade, I would always try to use long words and stuff.

I started doing home brew stuff with my dad when I was younger.

You never want to pull any punches. You want that stuff to be as real and as vicious as possible.