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Bernard Shaw said that when you copy yourself, you know you've got style. And I feel that if you can write like you write, then you are true to yourself. And it's not an easy thing to do - it's a disgustingly difficult thing to do.

My favorite outfit is like a 'Peaky Blinders' kind of look. I have a really old-man style.

I've been into martial arts since I was 12. I had black belts in a style called Tang Soo Do, and also I kickboxed for a number of years.

I saw this man come out. This very handsome, debonair James Bond style man with an incredible voice. All of a sudden I'm becoming a fan and then he started putting his name on the TV screen and it said Michael Buffer and I thought 'are you kidding me?'

I play very, very emotional. That's just my style.

I'm just really impressed by oil paintings - I don't see how people do it! That's the style I like: classic oil paintings. Abstract art just isn't my thing.

I've had girls say that because of watching me, they're playing sports. And it wasn't just basketball all the time. I definitely feel like I'm helping the girls get out there and want to play. Especially with my style - it's not always 'girly.' I'm showing they can go out there and hang with the boys.

He's the best practitioner I've ever seen of the Cuban style. But I think that what Rigondeaux sees as an immaculate performance has no corollary to what fans see as a perfect performance. In his mind, to make an opponent look terrible who has been lauded as exciting or favored against him gives him satisfaction.

When I first asked my boxing coach, two-time Olympic champion Hector Vinent, what made the Cuban style of fighting distinct from the rest of the world, he smiled and told me to sit on a bench in Prado and watch the Cuban women walk.

President Trump, in a lot of ways - not just on policy but in terms of style - is everything that Hawaii is not.

Most established comic writers have a fixed style or methodology, so what you get on page one of the first issue is about the same for the last page of the series.

My personal style is really different from 'Lemonade Mouth.'

I'm more girly but I also wanted to pull off the vintage, Hollywood glamour slightly circus style.

It's the transformation that drives me. I want to do it all and never want to be boxed into something as a particular type or style. I never want people to think they know me. I hope to build a repertoire that one can look at and say, from to role to role, 'Was that Brian Tee?'

A lot of musicians put diamonds on things to show they had money. I on the other had felt that Daytona showed I had style and I didn't need to be flashy.

I think it's important to connect to people. When you can do that, I think you can get more out of them. That's part of my leadership style.

Curiosity at work isn't a matter of style. It's much more powerful than that. If you're the boss, and you manage by asking questions, you're laying the foundation for the culture of your company or your group. You're letting people know that the boss is willing to listen.

Hollywood is a land of style, a world where how you present yourself matters. Many of the people working here are so dramatically good-looking - that is their style. That's not me, and I know that.

We're going to do whatever it takes to bring that NASCAR style of racing on the track to full fruition. That's simply what we have to do.

My style is to be collaborative, progressive, to look at things that seem a little bit impossible.

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