Maybe people will remember me for being a stylist, not a survivor.
Nadia MuradRead
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Maybe people will remember me for being a stylist, not a survivor.
I look around me and I don’t see any rock’n’roll at the moment. Instead it’s all choreography and stylists and wigs and stuff. It’s like they’re afraid to let the music breathe. No one has their own identity like the Ronettes did back in the day. We had the skirts with the slits up the side, sort of tough, sort of Spanish Harlem cool, but sweet too. We didn’t have no dancers, we didn’t have no goddamn wigs.
After about three lessons [my] voice teacher said, "Don't take voice lessons. Do it your way. You're a song stylist. Always do it your way."
Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
I think of myself as a stylist, and stylists can become notoriously obsessed with the placing of a comma, the weight of a semicolon.
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