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The Prince of Egypt' was lauded for its voice acting, and with good reason. The cast is a bunch of A-listers in their prime in the '90s.
I have a British voice and a rather formal one at that, having been brought up in post-WWII Britain. My voice is perfectly suited to the sort of book I write, I think. It would not fit a contemporary, besides which I do not know enough about the contemporary world to write convincingly or comfortably about it!
My father has a great voice. My father used to sing... just sing.
I would never scream at my kids, never raise my voice. But as they often tell me, they were so well behaved that screaming was not necessary.
Can a film really change anything? I mean, what was the last time? Maybe the Italian neo-realists, where they became the voice and the heart and the soul of Italy, a nation that had been destroyed. I don't know.
When I come up with a melody in my head, it could be anywhere: in the shower, on the plane, in bed - often when I'm on the go. I'll record it on my phone with my own voice, humming. When I get to the studio, I check which melodies work.
I'm very aware when I'm speaking to the English of how flat my Mid-Atlantic American voice is.
All policies should be guided by science, not just whose voice is the loudest.
My overall plan for Instagram is to continue to create a tool that will inspire people to use their visual voice.
I just want to keep on creating stuff that people can relate to and inspire anyone who feels like their voice isn't heard; being relatable and being as authentic as possible is the whole goal of my production company.
At 28 years old, seven years out of college, I was so convinced that my voice outed me as a fag that I had stopped speaking to people I didn't know.
My first novel, 'John Crow's Devil,' freed me up to write about the past, and 'The Book of Night Women' freed me up to have a book totally based on voice and being very spontaneous.
As abhorrent as some of this content can be, I do think that it gets down to this principle of giving people a voice.
As in nature, politics abhors a vacuum. Without a strong voice for more moderate leadership, the Tea Party is filling that vacuum.
I did the voice of Cyclops on 'Shrek the Third'. I don't know how I got that. They said they wanted a Michael Chiklis type, and apparently it came down to me and Michael Chiklis, so how they gave it to me, I don't know.
I don't know if I'd ever sing a whole album because I don't know if I'd want to hear my voice for more than three or four songs.
I've always been haunted by the devastating voice and beautiful songs of Tim Hardin. I can't imagine anyone hearing him and not feeling the same.
It took me quite a while to find my natural voice. I'm glad I stuck around long enough to see that happen.
My aunts and uncles were like, 'You've got such a great voice - why don't you try out for 'American Idol?'' I'd say, 'Because I'm a songwriter, not a puppet.' Even if I won and became really successful off a show like that, I'd be miserable.
I think artists throughout the history of time have always been controversial and have been a voice to speak to public culture in a way that a politician can't because they'll lose their constituency.
I'm a writer and a feminist of color, and I've written complex, powerful women for my entire career. I'm just one voice, but there are many others like me.
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