Explore Quotes on Voice

I remember I could do - I did Bart Simpson once on the bus. I did, like, a really good Bart Simpson voice on the bus, obviously before I hit puberty. And everybody went, 'Whoa, that sounds just like Bart Simpson.'

I don't like the sound of my voice or how I look or anything.

If I get a chance to write a comic book or do a voice in an Adult Swim show, I do it. It's much more fulfilling to me and I get to work with people who I'm a fan of.

I don't think my voice has changed very much when it comes to things that I create. It's just my perspective, my point of view, and I guess that really hasn't changed very much. Luckily, it hasn't had to change in order for me to work.

Nowadays you don't need to be a senator or a CEO or a celebrity to have a voice in the media, and if you happen to be a senator, a CEO or a celebrity, you have a thousand people each with their own respective audiences to hold you accountable.

I am committed to standing up for the LGBTQ community and being a strong voice.

I knew how to be a voice for L.A., I knew how to be a voice for Detroit, I knew how to be a voice for London, I knew how to be a voice for Amsterdam.

There is no greater index of character so sure as the voice.

The natural instinct is to join in the chorus of conflict, to make your voice louder, your point bigger, and your position stronger. But we will not solve the significant and real problems our country faces if we cannot bring ourselves to embrace a mindset of grace.

I'm always happy to work with my brother and especially to be a part of 'The Voice Kids.'

When you hear me sit at the piano by myself and do one of those super-personal, confessional songs, that's where my true voice is.

If I love Etta James, it's not just the voice, and it's not just the song, but it's the energy that connects me to her, so if she is strong, I can be strong, too, and if she is sad, I know I am not alone, or if she is joyous, I can connect with that joy.

In Paris, I was really singing for the sake of living. But eventually people said, 'Keep going; you've got a great voice,' and I started having confidence in my voice all of a sudden. That's when I started creating my own music.

My mother had a great voice. Not like mine, not like my sister's, not like my son's - a high soprano voice, but like a bird. I mean, really beautiful.

As United Nations patron of the wilderness, one of my roles is to report back from the Earth's remaining wildernesses and to act as a voice for the wild.

I feel like the score is a chance for an artist to exercise their voice and augment a film.

From the beginning of my time as Secretary-General, I have sought to advance a practical, action-oriented vision of the U.N. as the voice of the voiceless and the defender of the defenceless.

I haven't even had to learn, but it's just this natural thing to be able to express any emotion I have through the tone of my voice.

I have a memory of listening to Tracy Chapman and just being intrigued by her voice. Even as a young girl, I wanted to know more about her and her story. I felt I was learning about her through her music. That was a revelation to me.

I have a really feminine voice, but I also feel quite powerful when I write. So my songs feel heavy, and that's how Banks sounds. It's a really short, powerful sound. It almost sounds masculine, and I like having that dichotomy.

If my voice gets rough and tired after hours of recording, I just stop for an hour and eat a bite of something and come back.