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I have a really feminine voice, but I also feel quite powerful when I write. So my songs feel heavy, and that's how Banks sounds. It's a really short, powerful sound. It almost sounds masculine, and I like having that dichotomy.
If my voice gets rough and tired after hours of recording, I just stop for an hour and eat a bite of something and come back.
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
Many hated 'Selma.' Just because my voice and the voice of the people I come from is antithetical to so much of what Hollywood produces. I don't think what I'm saying is in particular radical or anything; it's just different from what they want to sell.
I have always said and maintained that I think being an RJ is the most difficult job in the media business. To have that energy and animation in your voice alone, to capture your audiences through your show, is entertainment in the true sense.
In my opinion, anybody can sing. If they have a voice, they must sing.
I guess I want to be a voice for the kid. I mean, it sounds quite contrived, but I want to make music that I would have wanted to hear when I was 14.
You know, I have got quite a husky, gritty voice which people say - even when I'm talking nicely - does sound a bit rough.
The scary thing is how quickly everyone's star fades. Therefore, to be a voice, you need to do television. You need to stay in the public eye for the public to care about you, to be a big enough voice to help where it is needed.
Some animals utter a loud cry. Some are silent, and others have a voice, which in some cases may be expressed by a word; in others, it cannot. There are also noisy animals and silent animals, musical and unmusical kinds, but they are mostly noisy about the breeding season.
I was always clear about the fact that if I ever had a position in life where my voice could effect a positive change in society, I would do it.
If I want to hear a voice, Lana Del Rey is very soothing, and I could just listen to her on repeat, but my real go-to that's been very consistent for at least the past ten years is Miles Davis.
As a composer, the voice comes in front of me when I make a song.
In addition to the executive responsibility of handling and managing the government, the president has an important voice that sets the tone for much of our national discourse.
People will come up to me and try and be secretive and say, 'Can you do the Gollum voice for me?' And I'm like, 'Are you kidding? It's 8:30 in the morning on the Victoria Line.'
My children love Maleficent's voice, so they always make me do it at home.
Maleficent was always so elegant. She always was in control. And to play her was difficult. I worked on my voice a lot. She's bigger than me. She's on a different level of performance that I have never done.
When you do animation - well, straightforward animation, although it's not straightforward - the voice for a character or something, they're always singular experiences, really.
People much prefer to feel part of something and that they're appreciated and wanted, that their voice actually holds some sway, rather than just having someone barking orders at them.
What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.
My mother and I used to watch 'Maude,' and I think she loved 'Maude' because my mother wanted to see strong women out there with a voice.
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