I made such a fool of myself,” she lamented. “Love does not make you a fool.” “He didn’t love me back.” “That does not make you a fool, either.” “Just tell me …” Her voice cracked. “When does it stop hurting?” “Sometimes never.
Mitch AlbomRead
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I made such a fool of myself,” she lamented. “Love does not make you a fool.” “He didn’t love me back.” “That does not make you a fool, either.” “Just tell me …” Her voice cracked. “When does it stop hurting?” “Sometimes never.
Our bodies aren't strangers,' he said, his voice ragged. 'Our spirits aren't strangers'. He held her face in his hands. 'Tell me what part of me is stranger to you and I'll destroy that part of me.' And she wept to hear his words.
Sometimes, people call my way of speaking ranting. Why are you always ranting and screaming, they ask. But here’s the thing…the reason why I rant is because I am a voice for many women that cannot speak out to heads of state, UN officials, and those that influence systems of oppression. And so I rant. And I will not stop ranting until my mission of equality of all girls is achieved.
I encourage teachers to speak in their own voices. Don't use the gibberish of the standards writers.
When we no longer pray, no longer listen to the voice of love that speaks to us in the moment, our lives become absurd lives in which we are thrown back and forth between the past and the future. If we could just be, for a few minutes each day, fully where we are, we would indeed discover that we are not alone and that the One who is with us wants only one thing: to give us love
He touched the screen as if trying to reach through with his hand. "You're a wonderful young lady. I don't tell you that often enough. You remind me so much of your mother. She'd be proud. And Grandpa Tom" --he chuckled-- "he always said you'd be the most powerful voice in our family. You're going to outshine me some day, you know. They're going to remember me as Piper McLean's father, and that's the best legacy I can imagine.
There’s no grandfatherly fondness in me, There are no gray hairs in my soul! Shaking the world with my voice and grinning, I pass you by, - handsome, Twentytwoyearold.
I looked at the campers, all of them grim and determined. I tried not to feel like this was the last time I'd ever see them all together. 'You're the greatest heroes of this millennium,' I told them. 'It doesn't matter how many monsters come at you. Fight bravely, and we will win.' I raised Riptide and shouted, 'FOR OLYMPUS!' They shouted in response, and our forty voices echoed off the buildings of Midtown.
You can know someone all your life, like your parents or family, but I’ll tell you this, Ned. There’s an expression on their face, or a tone in their voice, or a way they walk, that you’ve never ever seen before. Like they’ve kept it hidden. Until their brother dies. Or their son. I remember those days and they were like these strangers and I wanted to say, Who are you people?
In reading we must become creators. Once the child has learned to read alone, and can pick up a book without illustrations, he must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words.
No one really needs me," he says, and there is no self-pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you.
Over the field rang his clear voice calling: ‘Death! Ride, ride to ruin and the world’s ending!
The way is shut. Then they halted and looked at him and saw that he lived still; but he did not look at them. The way is shut, his voice said again. It was made by those who are Dead, and the Dead keep it, until the time comes. The way is shut.
We monitor many frequencies. We listen always. Came a voice, out of the babel of tongues, speaking to us. It played us a mighty dub.
The instrument that I never learned how to play was my fans. You know, they are the part of the story that nobody teaches you. I just want to do the right thing; I want to be a voice with them, among them.
It doth not hurt", whispered a faint voice, "She will take you life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll wake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten.
She spoke quietly then, the tiniest crack in her voice, and all at once Lacey Pemerton was not Lacey Pemberton. She was just—like, a person.
They talked about nothing in particular, sentences that had meaning only in the sound of the voices, in warm gaiety, in the ease of complete relaxation.
Doreen had intuition. Everything she said was like a secret voice speaking straight out of my own bones.
It is not the voice that commands the story: it is the ear.
Sometimes stories cry out to be told in such loud voices that you write them just to shut them up.
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