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I have always stayed away from works that objectify women or is misogynistic or politically incorrect.
Women are more meticulous and methodical. But on the other hand, I feel if you go on a male-dominated set, which is mostly any other set, you don't ask how it was to be on a male-dominated set.
In my opinion, empowerment is when women have the chance to do what they want to do and the courage to do what they want.
I think what 'Four More Shots' wanted to do from the word go is to create a narrative where women have the agency. None of the characters are perfect. They have their flaws.
Women should be portrayed as they are, authentically and truthfully.
I like to be around dancers who are totally committed to the art form, totally committed to the men and women around them.
It wasn't until I did a musical revue in Paris in the 1980s called 'Black and Blue,' and met the great men and women responsible for the progress of tap dance, that my relationship with the dance really began.
There is a misconception in our society that only women have to follow the norms of wearing a mangalsutra after marriage. Actually there are a few ornaments which even men are expected to wear after marriage.
There have been times I have stood in for women.
By 1917, thanks to the new munitions factories and the women that worked in them, the British Empire was supplying more than 50 million shells a year.
A lot of women reach out to me and tell me my music has given them the courage and confidence to break up with not just any boyfriend, but an unhealthy relationship.
I definitely come from a line of strong women. It's not only like my mother and my grandmother, but my aunties too.
It's important for women to have each other's backs. I'd like my label to give women the resources they need to flourish.
'Laura' was overtly political for sure. Caspary was trying to make a point about women and independence and how men viewed them, with derision or condescension or on a pedestal, when the real person was ignored.
I think I always gravitated more toward psychological studies and how people behave in a variety of circumstances. Most of the stories that I tell tend to feature women who get caught up in certain situations - end up in some calamity or other.
In 2011, I contributed an essay to Tin House, 'The Dark Side of Dinner Dishes, Laundry, and Child Care,' talking about women writers I felt had fallen off the map.
One thing that annoys me is when you see women in these terrible and incredible situations with perfectly glossed lips. You're not going to look good in the apocalypse.
I have learned to be as strong and confident as the women I represent in photographs.
People are talking about women's wrestling, and that's all I've ever wanted since I was ten years old. I wanted people to talk about the women and all they could do. We're celebrating women's wrestling. People want to see us, and we're just doing our best.
From the second there was drag, trans people were doing it. And when cis women started being allowed in theaters, then cis women doing drag was part of theater.
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