Woolf wanted to say dangerous things in Orlando but she did not want to say them in the missionary position.
Jeanette WintersonRead
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Woolf wanted to say dangerous things in Orlando but she did not want to say them in the missionary position.
Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: "I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going.
For pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space ; the sense also of extreme fixity in passing objects ; and sounds very remote and then very close ; flesh being gashed and blood sparting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude.” — Virginia Woolf, The Waves
I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
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