Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca SolnitRead
I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
Interpretation
The quote envisions a feminist approach to landscape architecture that creates safe, accessible public spaces for all, particularly for women.
Rebecca Solnit's quote highlights the importance of designing urban landscapes that are inclusive and safe for everyone, especially women. By referencing Virginia Woolf, Solnit emphasizes the need for spaces that allow individuals to express themselves freely, fostering creativity and safety in the public realm, where all can feel empowered to walk and create without fear.
In practice
In a speech on urban design, this quote could be used to advocate for safer city planning.
Never to get lost is not to live, not to know how to get lost brings you to destruction.
I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
If sorrow and beauty are all tied up together, then perhaps maturity brings with it not what Nabhan calls abstraction, but an aesthetic sense that partially redeems the losses time brings and finds beauty in the faraway.
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
Genuflection before the idol or the dollar destroys the muscles which walk and the will that moves.
Dreams and restless thoughts came flowing to him from the river, from the twinkling stars at night, from the sun's melting rays. Dreams and a restlessness of the soul came to him.
All cruel people describe themselves as paragons of frankness.
Tragedy is like strong acid - it dissolves away all but the very gold of truth.
Censure acquits the raven, but pursues the dove.
The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearth-stone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature. --as quoted in THE RIVER OF WINGED DREAMS
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