Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca SolnitRead
I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels
Interpretation
What this quote means
The quote envisions a feminist approach to landscape architecture that creates safe, accessible public spaces for all, particularly for women.
Rebecca Solnit's quote highlights the importance of designing urban landscapes that are inclusive and safe for everyone, especially women. By referencing Virginia Woolf, Solnit emphasizes the need for spaces that allow individuals to express themselves freely, fostering creativity and safety in the public realm, where all can feel empowered to walk and create without fear.
Themes
FeminismLandscapeArchitecturePublicSafetyFreedom
In practice
Example use cases
In a speech on urban design, this quote could be used to advocate for safer city planning.
More from Rebecca Solnit
All quotes →I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
Rebecca SolnitRead
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
Rebecca SolnitRead
If sorrow and beauty are all tied up together, then perhaps maturity brings with it not what Nabhan calls abstraction, but an aesthetic sense that partially redeems the losses time brings and finds beauty in the faraway.
Rebecca SolnitRead
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
Rebecca SolnitRead
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
Rebecca SolnitRead
Similar quotes
The context of the general teachings is one of talking to a sentient being who is experiencing uninterrupted bewilderment one thought or emotion after another like the surface of the ocean in turmoil, without any recognition of mind essence. This confusion is continuous, without almost any break, life after life.
Tulku Urgyen RinpocheRead
Sensitive people faced with the prospect of a camera portrait put on a face they think is one they would like to show the world very often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe.
Irving PennRead
It is fateful and ironic how the lie we need in order to live dooms us to a life that is never really ours.
Ernest BeckerRead
His vices were the vices of his time and culture, but his virtues transcended the milieu of his life.
Orson Scott CardRead
I have spent a lot of my career working on normative political philosophy, developing the 'capabilities approach' to social justice. I have also spent a lot of my career working on the structure of the emotions, and their role in human life.
Martha NussbaumRead
This single Stick, which you now behold ingloriously lying in that neglected Corner, I once knew in a flourishing State in a Forest: It was full of Sap, full of Leaves, and full of Boughs: But now, in vain does the busy Art of Man pretend to vie with Nature, by tying that withered Bundle of Twigs to its sapless Trunk: It is at best but the Reverse of what it was; a Tree turned upside down, the Branches on the Earth, and the Root in the Air.
Jonathan SwiftRead