Sexism kind of predisposes us to see men's work as more important than women's, and it is a problem, I guess, as writers, we have to change.
Erica JongRead
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Sexism kind of predisposes us to see men's work as more important than women's, and it is a problem, I guess, as writers, we have to change.
We all understand that we are living longer, and we are more likely to spend more years as frail, elderly people who can't work. We also recognize that the wonderful advances in medicine also come with wonderful price tags. Those are things you can't budget around.
If you are a writer from Turkey, Pakistan, Nigeria, Egypt, you don't have the luxury of being apolitical. You can't say, 'That's politics. I'm just doing my work.'
There have always been great defenses of poetry, and I've tried to write mine, and I think all of my work and criticism is a defense of poetry to try and keep something alive in poetry.
This work is a torture on the rump but a joy to the heart.
I didn't do my work for money or prizes - only for the excitement of discovery.
Success isn't always about greatness. It's about consistency. Consistent hard work leads to success. Greatness will come.
It would be counterproductive to tell people exactly what they are supposed to do and exactly how they are supposed to do it to a point where they become more concerned about your expectations than about completing their work in a quality way.
The social world is transforming the way we create wealth, work, learn, play, raise our children, and probably the way we think.
I started really noticing, more and more, how men will plagiarize and take credit for women's work... I've noticed that it just happens a lot.
Satan tries to counterfeit the work of God, and by doing this, he may deceive many. To make us lose hope, feel miserable like himself, and believe that we are beyond forgiveness, Satan might even misuse words from the scriptures that emphasize the justice of God in order to imply that there is no mercy.
For so long, the world has viewed West Indian culture as semiliterate and backward, which it is not. In my work, I have tried to give that world an exposure so the world can better understand it.
The tenets of my cultural teachings are rooted in our commitment to lift up every community member so that no one is left behind. Work and food were shared equally. Through our commitment to community, we care about children, even when they aren't ours, and we want our old folks, and yours, to live their last days in dignity and comfort.
My parents survived the Great Depression and brought me up to live within my means, save some for tomorrow, share and don't be greedy, work hard for the necessities in life knowing that money does not make you better or more important than anyone else. So, extravagance has been bred out of my DNA.
You can't be a playwright without believing there's an audience for adventurous work.
My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view.
There's always new work to do. Adjusting to the rapid pace of technological change creates real challenges, seen most clearly in our polarized labor market and the threat that it poses to economic mobility. Rising to this challenge is not automatic. It's not costless. It's not easy. But it is feasible.
It takes some discipline and hard work, but relying on credit when things go wrong is a trap.
There is a huge body of evidence showing that people do better in their work when they know why they're doing it in the first place. They do better when they see what they're doing contributes to something in the world.
They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
The development of science is basically a social phenomenon, dependent on hard work and mutual support of many scientists and on the societies in which they live.
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