We've learned to see the world in gasps.
Margaret AtwoodRead
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10,231 quotes
We've learned to see the world in gasps.
The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark. When you look closely, the twenty-four hour day is framed into a moment; the still-life of the jerky amphetamine world. That woman-a pieta. Those men, rough angels with an unknown message. The children holding hands, spanning time. And in every still-life, there is a story, the story that tells you everything you need to know.
Certain people, in their eagerness to construct a world no external threat can penetrate build exaggeratedly high defense againts the outside world, againts new people, new places, different experiences and leave their own world stripped bare. It is there that bitterness begins irrevocable work.
He thought of the jungle, already regrowing around him to cover the scars they had created. He thought of the tiger, killing to eat. Was that evil? And ants? They killed. No, the jungle wasn’t evil. It was indifferent. So, too, was the world. Evil, then, must be the negation of something man had added to the world. Ultimately, it was caring about something that made the world liable to evil. Caring. And then the caring gets torn asunder. Everybody dies, but not everybody cares.
This is what I do know: A lie, however well-intended, can't prepare you for reality or change the world... To tell the truth is to provide armament against a world too full of cruelties to be defeated with simple falsehoods... It seems to me we owe the world--more, we owe ourselves--the exchange of comfort for the chance that maybe the truth can do what people always say it can. The truth may, given the opportunity, set us free.
And who ever said the world was fair, little lady? Maybe death is fair, but certainly not life. We must accept the unfairness as proof of the sublime flux of existence, the capricious music of the universe- and go on about our tasks
If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
You will follow me, if we are what we are, you and I, if we live, if the world exists, if you know the meaning of this moment and can't let it slip by, as others let it slip, into the senselessness of the unwilled and unreached.
Omens are everywhere in this world you just have to find the one that fits.
The world? The world is not interested in us. Today, everything is possible, even the crematoria.
Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience.
An unauthentic word, one which is unable to transform reality, results when dichotomy is imposed upon its constitutive elements. When a word is deprived of its dimension of action, reflection automatically suffers as well; and the word is changed into idle chatter, into verbalism, into an alienated and alienating “blah.” It becomes an empty word, one which cannot denounce the world, for denunciation is impossible without a commitment to transform, and there is no transformation without action.
When you drank the world was still out there, but for the moment it didn’t have you by the throat.
The soul yearns to fly home on the wings of love to the world of ideas. It longs to be freed from the chains of the body.
Personally I am very pessimistic. But when, for instance, one of my staff has a baby you can't help but bless them for a good future. Because I can't tell that child, 'Oh, you shouldn't have come into this life.' And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making.
If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.
God wants us to know we are saved, for saved people are dangerous people, willing to face off with the world, unafraid of the consequences since they know that, whatever happens, they will have eternal life.
All life is energy and we are transmitting it at every moment. We are all little beaming little signals like radio frequencies, and the world is responding in kind.
And those whom once my song had cheered and gladdened, If still they live, rove through the world now saddened.
It does not matter where we come from or what we look like. If we recognize our abilities, are willing to learn and to use what we know in helping others, we will always have a place in the world.
If we develop in-depth knowledge, it will enable us to give our best to others and help to make a better world.
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