Maybe that's what these films are doing. They are my way of blessing the child
Hayao MiyazakiRead
If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.
Interpretation
This quote reflects on the evolution of art and the inevitability of change in artistic mediums and practices.
Hayao Miyazaki's quote acknowledges that while hand-drawn animation may be fading, it is part of a larger trend of change in the art world. He highlights the importance of accepting that as civilization evolves, so too do the crafts and practices within it, and he emphasizes his own unique experience of maintaining a long career in a dynamic field, which he views as a rare achievement.
In practice
This quote can be used during a discussion about the evolution of animation techniques in a film class.
Maybe that's what these films are doing. They are my way of blessing the child
I wanted to convey the message to children that this life is worth living.
You must see with eyes unclouded by hate. See the good in that which is evil, and the evil in that which is good. Pledge yourself to neither side, but vow instead to preserve the balance that exists between the two.
But remember this, Japanese boy... airplanes are not tools for war. They are not for making money. Airplanes are beautiful dreams. Engineers turn dreams into reality.
I’d like to see Manhattan underwater. I’d like to see when the human population plummets and there are no more high rises, because nobody’s buying them. I’m excited about that. Money and desire—all that is going to collapse, and wild green grasses are going to take over.
To be born means being compelled to choose an era, a place, a life. To exist here, now, means to lost the possibility of being countless other potential selves.. Yet once being born there is no turning back. And I think that's exactly why the fantasy worlds of cartoon movies so strongly represent our hopes and yearnings. They illustrate a world of lost possibilities for us.
They hear it come out, but they don't know how it got there. They don't understand that's life's way of talking. You don't sing to feel better. You sing 'cause that's a way of understanding life.
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
...I am driven on by an idea that I really only grasp as it grows with the picture.
So much in writing depends on the superficiality of one's days.
It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.
Who made art history? Not the most reasonable people. The mad men did. If painting is the mirror of a time, it must be mad to have a true image of what that time is. To one madness we oppose another madness.
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