Maybe that's what these films are doing. They are my way of blessing the child
Hayao MiyazakiRead
If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.
Interpretation
This quote reflects on the evolution of art and the inevitability of change in artistic mediums and practices.
Hayao Miyazaki's quote acknowledges that while hand-drawn animation may be fading, it is part of a larger trend of change in the art world. He highlights the importance of accepting that as civilization evolves, so too do the crafts and practices within it, and he emphasizes his own unique experience of maintaining a long career in a dynamic field, which he views as a rare achievement.
In practice
This quote can be used during a discussion about the evolution of animation techniques in a film class.
Maybe that's what these films are doing. They are my way of blessing the child
I wanted to convey the message to children that this life is worth living.
You must see with eyes unclouded by hate. See the good in that which is evil, and the evil in that which is good. Pledge yourself to neither side, but vow instead to preserve the balance that exists between the two.
But remember this, Japanese boy... airplanes are not tools for war. They are not for making money. Airplanes are beautiful dreams. Engineers turn dreams into reality.
I’d like to see Manhattan underwater. I’d like to see when the human population plummets and there are no more high rises, because nobody’s buying them. I’m excited about that. Money and desire—all that is going to collapse, and wild green grasses are going to take over.
To be born means being compelled to choose an era, a place, a life. To exist here, now, means to lost the possibility of being countless other potential selves.. Yet once being born there is no turning back. And I think that's exactly why the fantasy worlds of cartoon movies so strongly represent our hopes and yearnings. They illustrate a world of lost possibilities for us.
This award is meaningful because it comes from my fellow dealers in celluloid.
I hope to live all my life for my art, without abandoning my principles one iota.
Art is by nature optimistic. Art is optimistic because it is alive.
Design has to work. Art does not.
For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting that the object has been real, the photograph surreptitiously induces belief that it is alive, because of that delusion which makes us attribute to Reality an absolute superior, somehow eternal value; but by shifting this reality to the past ("this-has-been"), the photograph suggests that it is already dead.
There are very few religious experiences that aren't explained using the vocabulary of light.
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