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I think I've been very lucky all my life because the writing and the faith seem to go together.
My writing is sort of 'Sidney Sheldon meets Anne Tyler.'
This is mainly because I spend a lot of time writing and so don't have much time to read; I hate to waste that time reading what may turn out to be junk food for the mind, when there's so much real writing to be read.
Whatever I'm reading at the moment seems to influence whatever I'm writing.
As an actor, you see a sliver of how the show is made, but to see the actual writing process and the re-writing process and the casting process and art direction and set design - all of this is happening in a very intense period.
Ultimately, I'm in the fitness industry. But, I've branched out from there quite a bit. I began doing consulting on writing and getting published in magazines in about 2011. Right around that time, I started doing some angel investing and looking to grow my skills and general experience outside of that.
Over the last 25 years, since a lot of science writing became accessible to layman, I've become quite a consumer of science. As a child, I wasn't streamed into science, and I regret that now.
People banging away on their smartphones are fluently using a code separate from the one they use in actual writing, but a code it is, to which linguists are currently devoting articles.
The storyboard department doesn't talk to the layout department, which doesn't talk to the writing department. They're all jealous of each other.
'The Fourth Hand' was a novel that came from twenty years of screenwriting concurrently with whatever novel I'm writing.
I like work, I like song writing, and I like the history of Atlantic Records. They've sat in the studio with so many artists - like Ray Charles, for example - and created something amazing. As a label, they seem to be great at growing bands rather than telling you how to do it.
I've had students at Yale: my main task with them in drama school was not helping them with their writing but showing them how valuable they were. Because they're ready to give it up and go into teaching or television.
You have more creative freedom with writing, in certain ways, because you can create everything that happens. But, as an actor you also have creative freedom because you don't so much focus on what has to move the story along, and only on how your character is reacting to situations.
I began observing, making paintings of my surroundings, taking a vow of silence, listening, composing music, writing, and making time for formal education. Then I started telling stories.
To be the windowpane - this is basically a bastardization of what Orwell said about good writing - so you can get the conversation going and frame it the right way and make sure people aren't lost. And then you let the candidates illuminate the issues themselves.
That's what writing is: it's imagining that you can make a world. That's what basketball is, too: it's imagining the game as a world.
When I wake up in the morning, I need the writing to go to. I begin there. And that's not an accident, I mean, that habit of getting up in the morning and going to my writing first thing.
I don't make that hard and fast distinction between political and nonpolitical writing. I write about what bothers me.
The whole idea of spellbinding, of being an entertainer, being the center of the stage, making up words - that let me know that writing is nice.
Writing is looking for music between sentences.
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