Write a paper promising salvation, make it a "structured" something or a "virtual" something, or "abstract," "distributed" or "higher-order" or "applicative" and you can almost be certain of having started a new cult.
Edsger DijkstraRead
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Write a paper promising salvation, make it a "structured" something or a "virtual" something, or "abstract," "distributed" or "higher-order" or "applicative" and you can almost be certain of having started a new cult.
All my life I have been acutely aware of a contradiction in the very nature of my existence. For forty-five years I struggled to resolve this dilemma by writing plays and novels. The more I wrote, the more I realized mere words were not enough. So I found another form of expression.
What is the purpose of writing? For me personally, it is really to explain the mystery of life, and the mystery of life includes, of course, the personal, the political, the forces that make us what we are while there's another force from inside battling to make us something else.
Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
They want me to write differently. Certainly I could, but I must not. God has chosen me from thousands and given me, of all people, this talent. It is to Him that I must give account. How then would I stand there before Almighty God, if I followed the others and not Him?
There is no substitute for practical experience, and if you want to write about people you ought to put down that comic book and go out and meet some of them rather than studying the way that Stan Lee or Chris Claremont depict people.
I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
My life is, in a sense, trash. My life is only that of which the residue is my writing.
It's a cliche, but true, that writing is intensely solitary and at times really lonely. I sit in one room and talk to squirrels and blue jays all day.
While I wasn't very good at much else in school, in my creative-writing classes or when we had to do some writing in my English classes, I tended to do better at it.
Fiction writing is just an excuse to go discover interesting things.
Growing up, I loved to play. Writing was a natural outtake of play. I realize now, having kids, that maybe that's unusual. Living out in the middle of nowhere, I entertained myself by writing.
I was brought up to try to see what was wrong and right it. Since I am a writer, writing is how I right it.
I knew I wanted to be a writer and I knew if I had a wife and family, I would neglect something, and I was afraid it wouldn't be the writing.
I never know what I'm going to write next. If I'm still writing the book but I'm very near the end, and I begin to think of what I'd like to do next, then I'll know that what I'm writing is in hand. I'll think of an ending and it will be fine.
I love 'Glee.' I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it okay to cry.
When I look at a lot of older stuff that I've written, I think one sign of amateur humor writing is when you see people trying too hard.
I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French.
I often think that the prime directive for me as a teacher of writing is akin to that for a physician, which is this: do no harm.
There is an art to writing, and it is not always disclosure. The act itself can be beautiful, revelatory, and private.
Politics disappears; it vanishes. What remains constant is human life. So I try to develop a perspective in my writing where politics is just one of the pieces of furniture in this furnished world. It is not the purpose. It is not the goal.
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