David Foster Wallace

I felt, as I became a later and later bloomer, alienated not just from my own recalcitrant glabrous little body but in a way from the whole elemental exterior I'd come to see as my co-conspirator.

I'm not putting any of this well. I am not and never have been an intellectual. I am not articulate, and the subjects that I am trying to describe and discuss are beyond my abilities. I am trying, however, the best I can, and will go back over this as carefully as possible when I am finished, and will make changes and corrections whenever I can see a way to make what I'm discussing clearer or more interesting without fabricating anything.

Of course, the fact that Dostoevsky can tell a juicy story isn't enough to make him great. If it were, Judith Krantz and John Grisham would be great fiction writers, and by any but the most commercial standards they're not even very good.

I'd tell you all you want and more, if the sounds I made could be what you hear

What teachers and the administration in that era never seemed to see was that the mental work of what they called daydreaming often required more effort and concentration than it would have taken simply to listen in class. Laziness is not the issue. It is just not the work dictated by the administration.

That what appears to be egoism so often isn't.

That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating on anything is very hard work.

So which is the lie? Hard or soft? Silence or time?

The parts of me that used to think I was different or smarter or whatever, almost made me die.

We're all lonely for something we don't know we're lonely for. How else to explain the curious feeling that goes around feeling like missing somebody we've never even met?

Hear this or not, as you will. Learn it now, or later -- the world has time. Routine, repetition, tedium, monotony, ephemeracy, inconsequence, abstraction, disorder, boredom, angst, ennui -- these are the true hero's enemies, and make no mistake, they are fearsome indeed. For they are real.

In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

Mario, what do you get when you cross an insomniac, an unwilling agnostic and a dyslexic?" "I give." "You get someone who stays up all night torturing himself mentally over the question of whether or not there's a dog.

There's good self-consciousness, and then there's toxic, paralyzing, raped-by-psychic-Bedouins self-consciousness.

There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.

...Genuine pathological openness is about as seductive as Tourette's Syndrome.

The integrity of my sleep has been forever compromised, sir.

What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny little part of it at any given instant.

....basically the sort of guy who looks entirely at home in sockless white loafers and a mint-green knit shirt from Lacoste.

We all suffer alone in the real world. True empathy's impossible. But if a piece of fiction can alow us imaginatively to identify with a character's pain, we might then also more easily conceive of others identifying with their own. This is nourishing, redemptive; we become less alone inside. It might just be that simple.

He knew what the Beats know and what the great tennis player knows, son: learn to do nothing, with your whole head and body, and everything will be done by what's around you.