George R. R. Martin

I have many books that I want to write; I'd like to think that I'll be around for another 20 years or so and write another dozen novels, probably some sort of imaginative literature... Never again another seven-volume saga.

When I was a boy, I dreamt that I could fly, he announces. When I woke, I couldn't... or so the maester said. But what if he lied? What do you mean? Perhaps we can fly. All of us. How will we ever know unless we leap from some tall tower? No man ever truly knows what he can do unless he dares to leap. There is the window. Leap. What do you want? The world.

I prefer my history dead. Dead history is writ in ink, the living sort in blood.

Does he think to scare me? Arya kissed him where his nose should be and plucked the grave worm from his eye to eat it, but it melted like a shadow in her hand. The yellow skull was melting too, and the kindliest old man that she had ever seen was smiling down on her. "No one has ever tried to eat my worm before," he said. "Are you hungry, child?" Yes, she thought, but not for food.

Has my tale turned you speechless? Come, curse me or kiss me or call me a liar. Something.

My mother raised me to be bold. If I do not go, I will spend the rest of my life wondering what might have happened if I had." "If you do go, the rest of your life may be too short for wondering. - Asha & Rodrick

Some old wounds never truly heal, and bleed again at the slightest word.

Art is not a democracy. People don't get to vote on how it ends.

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end.

Over the years, more than one reviewer has described my fantasy series, 'A Song of Ice and Fire', as historical fiction about history that never happened, flavoured with a dash of sorcery and spiced with dragons. I take that as a compliment.

If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.

There are writers, and I know some of them, who are very disciplined. Who write, like, four pages a day, every day. And it doesn't matter if their dog got run over by a car that day, or they won the Irish sweepstakes. I'm not one of those writers.

We all need to be mocked from time to time, lest we take ourselves too seriously.

O medo corta mais profundamente do que as espadas.

The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real, for a moment at least, that long magic moment before we wake.

The distinction between literary and genre fiction is stupid and pernicious. It dates back to a feud between Robert Louis Stevenson and Henry James. James won, and it split literature into two streams. But it's a totally false dichotomy.

Start with short stories. After all, if you were taking up rock climbing, you wouldn't start with Mount Everest. So if you're starting fantasy, don't start with a nine-book series.

I had this desire to see the world. I couldn't see any of it, but I saw it in my imagination, and that's why I always read books, and I could go to Mars or Middle Earth or the Hyborian age.

As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.

I've written some standalone novels, but a book series allows fans in. There's much more intense involvement.

I wrote six pilots, none of which ever got picked up. When you stop trying, it then it falls in your lap.