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A writer should care about one thing - the language. To write well - that is his duty. That is his only duty.
The blue-collar is not supposed to read Horace, nor the farmer in his overalls Montale or Marvell. Nor, for that matter, is the politician expected to know by heart Gerard Manley Hopkins or Elizabeth Bishop. This is dumb as well as dangerous.
I belong to Russian literature, but I am an American citizen, and I think it's the best possible combination.
A writer is defined by the language in which he writes, and I would stick to that definition.
American poetry is this country's greatest patrimony. It takes a stranger to see some things clearly. This is one of them, and I am that stranger.
Beginning a poem, the poet as a rule doesn't know the way it's going to come out, and at times, he is very surprised by the way it turns out, since often it turns out better than he expected; often his thought carries further than he reckoned.
If what distinguishes us from other species is speech, then poetry, which is the supreme linguistic operation, is our anthropological - indeed, genetic - goal.
Time is water, and the Venetians conquered both by building a city on water, and framed time with their canals. Or tamed time. Or fenced it in. Or caged it.
I am a patriot, but I must say that English poetry is the richest in the world.
Prison is, indeed, a translation of your metaphysics, ethics, sense of history and whatnot into the compact terms of your daily deportment.
My intention is to write poems. That's what I've been doing most of my life.
Literature invents its own rules.
Whoever it was who said that to philosophize is an exercise in dying was right in more ways than one, for by writing a book, nobody gets younger.
It is not just shameful for a contemporary American poet to use rhymes, it is unthinkable. It seems banal to him; he fears banality worse than anything, and therefore, he uses free verse - though free verse is no guarantee against banality.
Unfortunately, a human being is able to comprehend only that amount of evil which he is able to commit himself.
As failures go, attempting to recall the past is like claiming to grasp the meaning of existence. Both make one feel like a baby clutching at a basketball: one's palms keep sliding off.
A man is, after all, what he loves. But one always feels cornered when asked to explain why one loves this or that person, and what for. In order to explain it - which inevitably amounts to explaining oneself - one has to try to love the object of one's attention a little bit less.
I started to write when I was eighteen or nineteen. However, until I was about twenty-three, I didn't take it that seriously.
Basically, it's hard for me to assess myself, a hardship not only prompted by the immodesty of the enterprise, but because one is not capable of assessing himself, let alone his work. However, if I were to summarize, my main interest is the nature of time. That's what interests me most of all. What time can do to a man.
Poetry isn't just different from prose, it's more important for the human species.
Writers seem mesmerized by the state - the temporal entity. The word 'perestroika' is impressed somehow on our minds. But that is not the duty of a writer.
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