Joseph Conrad

It is when we try to grapple with another man's intimate need that we perceive how incomprehensible, wavering and misty are the beings that share with us the sight of the stars and the warmth of the sun. It is as if loneliness were a hard and absolute condition of existence; the envelope of flesh and blood on which our eyes are fixed melts before the outstretched hand, and there remains only the capricious, unconsolable and elusive spirit that no eye can follow, no hand can grasp.

I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude - and the whisper had proved irresistibly fascinating. It echoed loudly within him because he was hollow at the core.

Hang ideas! They are tramps, vagabonds, knocking at the back-door of your mind, each taking a little of your substance, each carrying away some crumb of that belief in a few simple notions you must cling to if you want to live decently and would like to die easy!

Joy and sorrow in this world pass into each other, mingling their forms and their murmurs in the twilight of life as mysterious as an overshadowed ocean, while the dazzling brightness of supreme hopes lies far off, fascinating and still, on the distant edge of the horizon

The artist appeals to that part of our being...which is a gift and not an acquisition - and, therefore, more permanently enduring.

History repeats itself, but the special call of an art which has passed away is never reproduced. It is as utterly gone out of the world as the song of a destroyed wild bird.

There is nothing more enticing, disenchanting, and enslaving than the life at sea.

The offing was barred by a black bank of clouds, and the tranquil water-way leading to the uttermost ends of the earth flowed somber under an overcast sky--seemed to lead into the heart of an immense darkness.

The scrupulous and the just, the noble, humane, and devoted natures; the unselfish and the intelligent may begin a movement - but it passes away from them. They are not the leaders of a revolution. They are its victims.

As in political so in literary action a man wins friends for himself mostly by the passion of his prejudices and the consistent narrowness of his outlook.

Action is consolatory. It is the enemy of thought and the friend of flattering illusions.

It is to be remarked that a good many people are born curiously unfitted for the fate waiting them on this earth.

The interior deprives men of their senses. Here, the eerie stillness of the wilderness and the darkness of night render the men both deaf and blind. Without eyes or ears, they have no frame of reference-and without a frame of reference, they have no clear identities.

I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance.

No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one’s existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream--alone.

The artist appeals to that part of our being which is not dependent on wisdom; to that in us which is a gift and not an acquisition-and therefore, more permanently enduring. He speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives; to our sense of pity, and beauty and pain.

My task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see.

We are snared into doing things for which we get called names, and things for which we get hanged, and yet the spirit may well survive - survive the condemnations, survive the halter, by Jove! And there are things - they look small enough sometimes too - by which some of us are totally and completely undone.

I take it that what all men are really after is some form or perhaps only some formula of peace.

Beyond the fence the forest stood up spectrally in the moonlight, and through the dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one's very heart - its mystery, its greatness, the amazing reality of its concealed life.

All creative art is magic, is evocation of the unseen in forms persuasive, enlightening, familiar and surprising.