Milan Kundera

The very beginning of Genesis tells us that God created man in order to give him dominion over fish and fowl and all creatures. Of course, Genesis was written by a man, not a horse. There is no certainty that God actually did grant man dominion over other creatures. What seems more likely, in fact, is that man invented God to sanctify the dominion that he usurped for himself over the cow and the horse.

The sound of laughter is like the vaulted dome of a temple of happiness.

A route differs from a road not only because it is solely intended for vehicles, but also because it is merely a line that connects one point with another. A route has no meaning in itself; its meaning derives entirely from the two points that it connects. A road is a tribute to space. Every stretch of road has meaning in itself and invites us to stop. A route is the triumphant devaluation of space, which thanks to it has been reduced to a mere obstacle to human movement and a waste of time.

Love is a battle, and I plan to go on fighting. To the end.

The phrase "It's absolutely the same with me, I..." seems to be an approving echo, a way of continuing the other's thought, but that is an illusion: in reality it is a brute revolt against a brutal violence, an effort to free our own ear from bondage and to occupy the enemy's ear by force. Because all of man's life among his kind is nothing other than a battle to seize the ear of others.

nothing yet. I've been waiting." "for what?" she made no response. she could not tell him that she had been waiting for him.

Anyone who thinks that the Communist regimes of Central Europe are exclusively the work of criminals is overlooking a basic truth: The criminal regimes were made not by criminals but by enthusiasts convinced they had discovered the only road to paradise. They defended that road so valiantly that they were forced to execute many people. Later it became clear that there was no paradise, that the enthusiasts were therefore murderers.

Radio... force-feeds us music... everywhere and all the time... sewage-water music in which music is dying.

A great deal has been said about love at first sight; I am perfectly aware of love's retrospective tendency to make a legend of itself, turn its beginnings into myth; so I don't want to assert that it was love; but I have no doubt there was a kind of clairvoyance at work: I immediately felt, sensed, grasped the essence of Lucie's being or, to be more precise, the essence of what she was later to become for me; Lucie had revealed herself to me the way religious truth reveals itself.

Mankind's real moral test, a test so radical and so deep that it escapes our gaze, is probably the one of its relations with those that are the most at its mercy; the Animals.

There are metaphysical problems, problems of human existence, that philosophy has never known how to grasp in all their concreteness and that only the novel can seize.

Eroticism is like a dance: one always leads the other.

If hatred strikes you, if you get accused, thrown to the lions, you can expect one of two reactions from people who know you: some of them will join in the kill, the others will discreetly pretend to know nothing, hear nothing, so you can go right on seeing them and talking to them. That second category, discreet and tactful, those are your friends. 'Friends' in the modern sense of the term. Listen, Jean-Marc, I've known that forever.

The novel is not the author's confession; it is an investigation of human life in the trap the world has become

Mysticism and exaggeration go together. A mystic must not fear ridicule if he is to push all the way to the limits of humility or the limits of delight.

it is wrong to chide the novel for being fascinated by mysterious coincidences... but it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life a dimension of beauty.

He was well aware that of the two of three thousand times he had made love (how many times had he made love in his life?) only two or three were really essential and unforgettable. The rest were mere echoes, imitations, repetitions, or reminiscences.

Living is being happy: seeing, hearing, touching, drinking, eating, urinating, defecating, diving into the water and gazing at the sky, laughing and crying.

Graphomania (a mania for writing books) inevitably takes on epidemic proportions when a society develops to the point of creating three basic conditions: - (1) an elevated level of general well being which allows people to devote themselves to useless activities (2) a high degree of social atomization and , as a consequence, a general isolation of individuals; (3) the absence of dramatic social changes in the nation's internal life.

Once the writer in every individual comes to life (and that time is not far off), we are in for an age of universal deafness and lack of understanding.

I understood that there was no escaping the memories, that I was surround by them. (p.30)