All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
David BowieRead
I knew that I was 'interesting' at 18 because I was aware that I could get away with doing things on stage.
Interpretation
David Bowie reflects on his awareness of his unique ability to captivate an audience from a young age.
In this quote, David Bowie shares a moment of self-awareness and confidence, recognizing that his artistic talents allowed him to captivate and engage others when he was just 18. This insight highlights the connection between creativity and the perception of one's own individuality in the realm of performance, emphasizing the importance of self-confidence in the artistic journey.
In practice
In a speech about overcoming self-doubt in the arts, I referenced David Bowie's quote to inspire young performers.
All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
I guess, taking away all the theatrics or the costuming and the outer layers of what I do, I'm a writer... I write.
I always had a repulsive need to be something more than human.
Nothing prepared me for your smile
But I've got to think of myself as the luckiest guy. Robert Johnson only had one album's worth of work as his legacy. That's all that life allowed him.
I'm an early riser. I get up between five and six, have coffee, and read for a couple of hours before everyone else gets up.
My imagination is a monastery and I am its monk.
If a poet interprets a poem of his own he limits its suggestibility.
One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.
Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.
One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
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