Hip-hop was indifferent to Broadway. We didn't need Broadway, but I think Broadway needed hip-hop.
Daveed DiggsRead
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
Interpretation
An actor should prioritize the character they portray over their personal identity.
Christoph Waltz emphasizes that the true role of an actor is to embody the character they are portraying, becoming invisible in the process. This philosophy suggests that an actor's personal identity should not interfere with the storytelling, allowing the audience to fully immerse themselves in the narrative and the character's journey.
In practice
In a discussion about acting techniques, one could use this quote to highlight the significance of character immersion.
Hip-hop was indifferent to Broadway. We didn't need Broadway, but I think Broadway needed hip-hop.
Every human being is an artist, a freedom being, called to participate in transforming and reshaping the conditions, thinking and structures that shape and inform our lives
What I hate about kitchen-sink dramas is [this idea] that the set is real, therefore you're going to be seeing truth. You have to earn truth. Truth can't be a part of the fact that people appear to talk that way and live in that room. You're looking for the poetry in something, and I don't mean poetry in the fancy sense. Naturalism believes by just replicating a thing you give the truth, rather than earning the truth.
I refused to accept anything, doubted everything. So, doubting everything, I had to find something that had not existed before, something I had not thought of before. Any idea that came to me, the thing would be to turn it around and try to see it with another set of senses.
We must infuse our lives with art. Our national leaders must be informed that we want them to use our taxes to support street theatre in order to oppose street gangs. We should have a well-supported regional theatre in order to oppose regionalism and.
It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter.
Subscribe for the occasional hand-picked quote. No noise.