Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
Adrienne RichRead
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
Interpretation
An actor should prioritize the character they portray over their personal identity.
Christoph Waltz emphasizes that the true role of an actor is to embody the character they are portraying, becoming invisible in the process. This philosophy suggests that an actor's personal identity should not interfere with the storytelling, allowing the audience to fully immerse themselves in the narrative and the character's journey.
In practice
In a discussion about acting techniques, one could use this quote to highlight the significance of character immersion.
Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
My work is not about "form follows function," but "form follows beauty" or, even better, "form follows feminine."
It's unfortunate that a lot of people think African-American female artists are monolithically R&B this-or-that, don't have to do anything by default.
With all art expression, when something is seen, it is a vivid experience, sudden, compelling, and inevitable.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
Ecstasy is not really part of the scene we can do on celluloid.
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