If I am not good to myself, how can I expect anyone else to be good to me?
Maya AngelouRead
We must infuse our lives with art. Our national leaders must be informed that we want them to use our taxes to support street theatre in order to oppose street gangs. We should have a well-supported regional theatre in order to oppose regionalism and.
Interpretation
Art should be an essential part of our lives and public funding should support creative expressions to combat societal issues.
Maya Angelou emphasizes the necessity of integrating art into our daily lives and societal structures. She advocates for governmental support of the arts, such as street theatre, which can serve as a powerful tool against social problems like gang violence and regionalism. By fostering a vibrant artistic community, we promote creativity and connection, challenging and addressing the issues that divide us.
In practice
In an arts funding debate, one could cite this quote to argue for more community art programs.
If I am not good to myself, how can I expect anyone else to be good to me?
I find it interesting that the meanest life, the poorest existence, is attributed to God's will, but as human beings become more affluent, as their living standard and style begin to ascend the material scale, God descends the scale of responsibility at commensurate speed.
The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didn't need that black woman right against him, shoulder to shoulder-in that cotton field, on the auction block, in the ghetto, wherever.
I dreamt we walked together along the shore. We made satisfying small talk and laughed. This morning I found sand in my shoe and a seashell in my pocket. Was I only dreaming?
I know that I'm not the easiest person to live with. The challenge I put on myself is so great that the person I live with feels himself challenged. I bring a lot to bear, and I don't know how not to.
I think Clinton, after getting into office and into Washington, was shocked at being bludgeoned. So he spent time trying to be all things to all people - one way guaranteed not to be successful or respected in a lion's den. You can't just play around with all those big cats - you've got to take somebody on.
You want to tell a story? Grow a heart. Grow two. Now, with the second heart, smash the first one into bits.
Music played a large role in the survival of the black people in America — that and a sense of humor that just couldn't be enslaved.
Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary.
Wanting to play the guitar was neither a wild dream nor a realistic ambition. It was simply inevitable.
I don't know any writer for whom it comes easily. Maybe John Updike - a story would just seem to come to him whole, you know, out of a personal experience. But the rest of us, I think, are not so lucky, and I had to work hard, yeah.
Now as to magic. It is surely absurd to hold me "weak" or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life...If I had not made magic my constant study I could not have written a single word of my Blake book, nor would The Countess Kathleen have ever come to exist. The mystical life is the center of all that I do and all that I think and all that I write.
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