Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similes (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time).
Interpretation
Writers should have a deep understanding of language rather than rely on a dictionary while writing.
In this quote, Ernest Hemingway emphasizes the importance of a writer's mastery of language and vocabulary. He suggests that a true writer should possess enough knowledge and practice with words to not depend on a dictionary during the act of writing, highlighting that relying on such a tool may indicate a lack of depth in understanding the language.
In practice
This quote can be used as a guideline in writing workshops to encourage participants to develop their vocabulary.
He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on.
How did you go bankrupt?" Two ways. Gradually, then suddenly.
When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
Wine is the most civilized thing in the world.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
to read is to surrender oneself to an endless displacement of curiosity and desire from one sentence to another, from one action to another, from one level of a text to another. The text unveils itself before us, but never allows itself to be possessed; and instead of trying to possess it we should take pleasure in its teasing
whenever I read a passage that moves me, I transcribe it in my diary, hoping my fingers might learn what excellence feels like.
Let no man despise the oracles of books! A book is a dead man, a sort of mummy, embowelled and embalmed, but that once had flesh and motion and a boundless variety of determinations and actions.
Though we do need more women to graduate with technical degrees, I always like to remind women that you don't need to have science or technology degrees to build a career in tech.
To learn a belief without the belief is to sing a song without the tune.
I use the verb 'to torment,' as I observed to be your own method, instead of 'to instruct,' supposing them to be now admitted as synonymous.
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