Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
Norman MailerRead
Over-certified adjectives are the mark of most best-seller writing
Interpretation
Excessive use of overblown descriptors is common in popular writing.
Norman Mailer's quote highlights a tendency in best-selling literature to rely on exaggerated adjectives to draw attention and sell books. This practice can undermine the integrity of writing by prioritizing sensationalism over substance, suggesting that many commercially successful works may be less about genuine artistry and more about catering to commercial demands.
In practice
During a writer's workshop, one might use this quote to illustrate the pitfalls of striving for best-seller status over authentic storytelling.
Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
I no longer gave a sick dog's drop for the wisdom, the reliability and the authority of the public's literary mind, those creeps and old ladies of vested reviewing.
There's nothing glorious about being a professional. . . . Professionalism probably comes down to being able to work on a bad day.
The natural role of twentieth-century man is anxiety.
At bottom, I mean profoundly at bottom, the FBI has nothing to do with Communism, it has nothing to do with catching criminals, it has nothing to do with the Mafia, the syndicate, it has nothing to do with trust-busting, it has nothing to do with interstate commerce, it has nothing to do with anything but serving as a church for the mediocre. A high church for the true mediocre.
Alimony is the curse of the writing class.
Fiction gives us empathy: it puts us inside the minds of other people, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.
I know I'm a rare person, a trained scientist who writes fiction, because so few contemporary novelists engage with science.
There is something I keep wanting to say about reading short stories. I am doing it now, because I many never have another occasion. Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait.
People write memoirs because they lack the imagination to make things up.
The one thing about being a dude and writing from a female perspective is that the baseline is, you suck. The baseline is it takes so long for you to work those atrophied muscles - for you to get on parity with what women's representations of men are.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
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