Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
Norman MailerRead
Over-certified adjectives are the mark of most best-seller writing
Interpretation
Excessive use of overblown descriptors is common in popular writing.
Norman Mailer's quote highlights a tendency in best-selling literature to rely on exaggerated adjectives to draw attention and sell books. This practice can undermine the integrity of writing by prioritizing sensationalism over substance, suggesting that many commercially successful works may be less about genuine artistry and more about catering to commercial demands.
In practice
During a writer's workshop, one might use this quote to illustrate the pitfalls of striving for best-seller status over authentic storytelling.
Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
I no longer gave a sick dog's drop for the wisdom, the reliability and the authority of the public's literary mind, those creeps and old ladies of vested reviewing.
There's nothing glorious about being a professional. . . . Professionalism probably comes down to being able to work on a bad day.
The natural role of twentieth-century man is anxiety.
At bottom, I mean profoundly at bottom, the FBI has nothing to do with Communism, it has nothing to do with catching criminals, it has nothing to do with the Mafia, the syndicate, it has nothing to do with trust-busting, it has nothing to do with interstate commerce, it has nothing to do with anything but serving as a church for the mediocre. A high church for the true mediocre.
Alimony is the curse of the writing class.
Non-fiction, and in particular the literary memoir, the stylised recollection of personal experience, is often as much about character and story and emotion as fiction is.
To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'
I've gained a lot from James Joyce, Tolstoy, Chekhov and R. K. Narayan. While writing, I try to see if the story is going to radiate spokes. Their literature has always done that and gifted me beautiful things.
I've been asked this question so many times, do you feel you need to write a book for adults? No, I don't need to write a book for adults.
It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as 'other.'
I am trying to make clear through my writing something which I believe: that biography- history in general- can be literature in the deepest and highest sense of that term.
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