Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
Norman MailerRead
Over-certified adjectives are the mark of most best-seller writing
Interpretation
Excessive use of overblown descriptors is common in popular writing.
Norman Mailer's quote highlights a tendency in best-selling literature to rely on exaggerated adjectives to draw attention and sell books. This practice can undermine the integrity of writing by prioritizing sensationalism over substance, suggesting that many commercially successful works may be less about genuine artistry and more about catering to commercial demands.
In practice
During a writer's workshop, one might use this quote to illustrate the pitfalls of striving for best-seller status over authentic storytelling.
Crude thoughts and fierce forces are my state. I do not know who I am. Nor what I was. I cannot hear a sound. Pain is near that will be like no pain felt before.
I no longer gave a sick dog's drop for the wisdom, the reliability and the authority of the public's literary mind, those creeps and old ladies of vested reviewing.
There's nothing glorious about being a professional. . . . Professionalism probably comes down to being able to work on a bad day.
The natural role of twentieth-century man is anxiety.
At bottom, I mean profoundly at bottom, the FBI has nothing to do with Communism, it has nothing to do with catching criminals, it has nothing to do with the Mafia, the syndicate, it has nothing to do with trust-busting, it has nothing to do with interstate commerce, it has nothing to do with anything but serving as a church for the mediocre. A high church for the true mediocre.
Alimony is the curse of the writing class.
I cannot start a story or chapter without knowing how it ends. ... Of course, it rarely ends that way.
I have good reason to be content, for thank God I can read and perhaps understand Shakespeare to his depths.
Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.
I believe that all novels, ... deal with character, and that it is to express character β not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.
Literary men are . . . a perpetual priesthood.
All novels are sequels; influence is bliss.
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