We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
Kazuo IshiguroRead
I cannot start a story or chapter without knowing how it ends. ... Of course, it rarely ends that way.
Interpretation
The quote highlights the importance of having a vision or conclusion in storytelling, even if the journey takes unexpected turns.
Kazuo Ishiguro reflects on the creative process of storytelling, suggesting that writers often have a clear vision of how their narratives will conclude. However, he acknowledges the unpredictable nature of creativity, where the actual development of the story may diverge from the original plan, emphasizing the beauty and spontaneity of the writing process.
In practice
In a writing workshop, when discussing the processes of storytelling.
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.
What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
If you were a boy and a girl and you were in love with each other, really, properly in love, and if you could show it, then the people who run Hailsham, they sorted it out for you. They sorted it out so you could have a few years together before you began your donations.
We all live inside bodies that will deteriorate. But when you look at human beings, they're capable of very decent things: love, loyalty. When time is running out, they don't care about possessions or status. They want to put things right if they've done wrong.
A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
Put simply the novel stands between us and the hardening concept of statistical man. There is no other medium in which we can live for so long and so intimately with a character. That is the service a novel renders.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
You could compile the worst book in the world entirely out of selected passages from the best writers in the world.
Every good book should be entertaining. A good book will be more; it must not be less. Entertainment…is like a qualifying examination. If a fiction can’t provide that, we may be excused from inquiring into its higher qualities.
As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable ever-smaller dolls within. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections.
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