It is good to have an end to journey towards; but it is the journey that matters, in the end.
Ursula K. Le GuinRead
I believe that all novels, ... deal with character, and that it is to express character – not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.
Interpretation
The essence of a novel lies in its characters, rather than in conveying moral messages or celebrating glory.
Ursula K. Le Guin emphasizes that novels are primarily about character development, which allows readers to perceive the world through the lenses of those characters. She suggests that great novelists excel in making us see and understand through characters, distinguishing them from poets or historians who have different purposes.
In practice
In a book discussion group when analyzing character motivations.
It is good to have an end to journey towards; but it is the journey that matters, in the end.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
When he found that the administrators were upset, he laughed. “Do they expect students not to be anarchists?” he said. “What else can the young be? When you are on the bottom, you must organize from the bottom up
Whoever utters 'Kafkaesque' has neither fathomed nor intuited nor felt the impress of Kafka's devisings. If there is one imperative that ought to accompany any biographical or critical approach, it is that Kafka is not to be mistaken for the Kafkaesque.
The problem with fiction, it has to be plausible. That's not true with non-fiction.
I think the reason these readers come back to me is because I represent their points of view. It may not be my point of view, but that's OK. Everyone still deserves to have their say.
Weather is a literary specialty, and no untrained hand can turn out a good article on it
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
My last vivid boyhood fright from books came when I was 15; I was visiting my uncle and aunt in Greenwich, and, emboldened by my success with 'The Waste Land,' I opened their copy of 'Ulysses.' The whiff of death off those remorseless, closely written pages overpowered me. So: back to soluble mysteries, and jokes that were not cosmic.
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