The blindness that opens the eye is not the one that darkens vision. Tears and not sight are the essence of the eye.
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
Interpretation
What this quote means
The quote reflects Derrida's early aspirations in literature and philosophy, highlighting the influence of models and language on his dreams of writing.
In this quote, Jacques Derrida shares a personal insight into his formative experiences in Algeria where he was drawn to literature and philosophy. He emphasizes the motivational role that literary models and the structure of language played in shaping his desire to write, suggesting that his ambition was not only a personal aspiration but also a product of the cultural and intellectual environment surrounding him at the time.
Themes
In practice
Example use cases
This quote can be shared during a literature seminar to inspire students about the impact of language on their writing.
More from Jacques Derrida
All quotes βEverything is arranged so that it be this way, this is what is called culture.
No one gets angry at a mathematician or a physicist whom he or she doesn't understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.
Psychoanalysis has taught that the dead β a dead parent, for example β can be more alive for us, more powerful, more scary, than the living. It is the question of ghosts.
The trace I leave to me means at once my death, to come or already come, and the hope that it will survive me. It is not an ambition of immortality; it is fundamental. I leave here a bit of paper, I leave, I die; it is impossible to exit this structure; it is the unchanging form of my life. Every time I let something go, I live my death in writing.
Every discourse, even a poetic or oracular sentence, carries with it a system of rules for producing analogous things and thus an outline of methodology.
Similar quotes
From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.
All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.
When I read interviews with people like Kevin Barry or Colin Barrett, who I hugely admire, they don't really seem to come up against the question of likeability even though their characters, in some instances, are really horrible.
People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity. Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves.
I am still bowled over by this great young adult novel by David Levithan called 'Every Day,' which is about a character with no gender or body who wakes up every day in the body of a different person. It's a really impressive execution of a really great premise.
Is any novelist going to recognize the moment when he or she has nothing more to say? It is a brave thing to admit. And since as a professional writer you are full of anxiety anyway, you could easily misread the signs.