There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.
Interpretation
Achebe highlights the abundance of American literature and the need for diverse perspectives in storytelling.
In this quote, Chinua Achebe reflects on the saturation of American literature, pointing out that while many writers focus on narratives within the United States, there is a scarcity of voices exploring stories from different cultures and locales. He suggests that, rather than contributing to the existing wealth of American novels, he sees greater value in sharing experiences and stories from his own unique background, emphasizing the importance of diversity in literature and representation.
In practice
During a literary event discussing the importance of multicultural literature, this quote could emphasize the need for diverse narratives.
In fact, I thought that Christianity was very a good and a very valuable thing for us. But after a while, I began to feel that the story that I was told about this religion wasn't perhaps completely whole, that something was left out.
Writers don't give prescriptions. They give headaches!
Mr. Brown had thought of nothing but numbers. He should have known that the kingdom of God did not depend on large crowds. Our Lord Himself stressed the importance of fewness. Narrow is the way and few the number. To fill the Lord's holy temple with an idolatrous crowd clamoring for signs was a folly of everlasting consequence. Our Lord used the whip only once in His life - to drive the crowd away from His church.
It is the storyteller who makes us what we are, who creates history. The storyteller creates the memory that the survivors must have - otherwise their surviving would have no meaning.
Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world.
An angry man is always a stupid man.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.
You could tell 'The Handmaid's Tale' from a male point of view. People have mistakenly felt that the women are oppressed, but power tends to organise itself in a pyramid. I could pick a male narrator from somewhere in that pyramid. It would interesting.
When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book.
Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication onto a single, homogenous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.
Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
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