Readers embrace all kinds of characters as long as they are written with emotional truth.
Interpretation
Emotional authenticity is key to creating relatable characters in writing.
This quote emphasizes the importance of emotional truth in character development within literature. It suggests that readers are drawn to diverse characters, provided they are portrayed with genuine emotions, allowing for a deeper connection and engagement with the story.
In practice
Using this quote during a writers' workshop to emphasize the importance of emotional depth in storytelling.
this is why we call people exes, I guess - because the paths that cross in the middle end up separating at the end. it's too easy to see an X as a cross-out. it's not, because there's no way to cross out something like that. the X is a diagram of two paths.
This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when itβs just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.
The tenderness between two people can turn the air tender, the room tender, time itself tender. As I step out of bed and slip on an oversize shirt, everything around me feels like it's the temperature of happiness.
I am made for running. Because when you run, you could be anyone. You hone yourself into a body, nothing more or less than a body. You respond as a body, to the body. If you are racing to win, you have no thoughts but the body's thoughts, no goals but the body's goals. You obliterate yourself in the name of speed. You negate yourself in order to make it past the finish line.
It doesn't have to be on Valentine's Day. It doesn't have to be by the time you turn eighteen or thirty-three or fifty-nine. It doesn't have to conform to whatever is usual. It doesn't have to be kismet at once, or rhapsody by the third date. It just has to be. In time. In place. In spirit. It just has to be.
Even though I'm seventeen, I guess I still thought this would always be true - that there would always be that lost-and-found, and not the lost-and-still-lost that I am now trapped inside.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
No writer must be measured by a word or paragraph. He is to be measured by his work - by the tendency, not of one line, but by the tendency of all.
Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book.
What I can say is that it was clear to many of us that an indigenous African literary renaissance was overdue. A major objective was to challenge stereotypes, myths, and the image of ourselves and our continent, and to recast them through stories- prose, poetry, essays, and books for our children. That was my overall goal.
A boy's story is the best that is ever told.
Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
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