As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
Interpretation
The quote emphasizes the importance of engaging and surprising an audience through creative expression.
Phoebe Waller-Bridge expresses her belief that the most compelling performances are those that captivate the audience by creating unexpected experiences. In her view, the joy of being 'tricked' reflects a deeper connection to the art of storytelling, where the audience is led on a journey that defies their expectations, making the performance memorable and impactful.
In practice
This quote can be used to inspire performers at a theater workshop.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You don't often see a cross section of female characters interacting with each other at the top of a chain.
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
Billy Collins writes lovely poems. Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides.
Poetry helps me understand who I am. It helps me understand the world around me. But above all, what poetry has taught me is the fact that I need to embrace mystery in order to be completely human.
Art is a never-ending dance of illusions.
Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.
I personally made a decision many years ago that I wanted to crawl into portraiture because it had a lot of latitude.
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