As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
Interpretation
The quote emphasizes the importance of engaging and surprising an audience through creative expression.
Phoebe Waller-Bridge expresses her belief that the most compelling performances are those that captivate the audience by creating unexpected experiences. In her view, the joy of being 'tricked' reflects a deeper connection to the art of storytelling, where the audience is led on a journey that defies their expectations, making the performance memorable and impactful.
In practice
This quote can be used to inspire performers at a theater workshop.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You don't often see a cross section of female characters interacting with each other at the top of a chain.
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
We get so many people saying short fiction is not economical, that it doesn't sell; but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.
I am often asked why I started to write poetry. The answer is that my motivation sprang from a visceral need to creatively articulate the experiences of the black youth of my generation, coming of age in a racist society.
To me, beauty is inclusion - every size, every color - that's the world I live in.
Elmore James only knew one lick, but you had the feeling that he meant it.
I never think about themes. I let the music create itself. I like it to be a potpourri of all kinds of sounds, all kinds of colors, something for everybody, from the farmer in Ireland to the lady who scrubs toilets in Harlem.
Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.
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