A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Louise BourgeoisRead
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
Interpretation
This quote reflects the artist's struggle with fear of separation and her creative process as a means of healing and unity.
Louise Bourgeois expresses her deep-seated fear of abandonment and separation, which has profoundly influenced her art. Through sewing, she channels her emotions and attempts to create a sense of cohesion and wholeness, reflecting her inner desire to mend the fragments of her life and experiences, both artistically and personally.
In practice
This quote can be used in an art class discussion about how personal experiences shape artistic expression.
A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
It is not so much where my motivation comes from but rather how it manages to survive.
It is not a torment to be an artist. It is a privilege.
Art is a guarantee of sanity. That is the most important thing I have_x000D_ said.
When you grow up in the church, the only translation in that insular world that people understand is preaching. You're supposed to be a minister. So I was going down that path, and then I saw the Tonys.
The only condition of fighting for the right to create is faith in your own vocation, readiness to serve, and refusal to compromise.
The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre of the world or the one country that's going to save the world, so there's a different tone that comes out in the way speculative fiction is done. That's refreshing to read.
I want it to sound like an orange.
Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.
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