A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Louise BourgeoisRead
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
Interpretation
This quote reflects the artist's struggle with fear of separation and her creative process as a means of healing and unity.
Louise Bourgeois expresses her deep-seated fear of abandonment and separation, which has profoundly influenced her art. Through sewing, she channels her emotions and attempts to create a sense of cohesion and wholeness, reflecting her inner desire to mend the fragments of her life and experiences, both artistically and personally.
In practice
This quote can be used in an art class discussion about how personal experiences shape artistic expression.
A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
It is not so much where my motivation comes from but rather how it manages to survive.
It is not a torment to be an artist. It is a privilege.
Art is a guarantee of sanity. That is the most important thing I have_x000D_ said.
Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world.
All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.
An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things.
The genuine music lover may accept the carnal husk of opera to get at the kernel of actual music within, but that is no sign that he approves the carnal husk or enjoys gnawing through it.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
The poet is one who is able to keep the fresh vision of the child alive.
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