A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Louise BourgeoisRead
It is not a torment to be an artist. It is a privilege.
Interpretation
Being an artist is seen as a special opportunity rather than a burden.
This quote by Louise Bourgeois indicates that the experience of being an artist should be viewed as a privilege, emphasizing the joy and freedom that comes with creative expression. Instead of seeing the challenges and struggles often associated with artistic endeavors as torment, it reframes the artist's journey as a unique opportunity to share one's vision and emotions with the world.
In practice
This quote could inspire young artists at an art exhibition.
A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
It is not so much where my motivation comes from but rather how it manages to survive.
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
Art is a guarantee of sanity. That is the most important thing I have_x000D_ said.
Au revoir, jewelled alligators and white hotels, hallucinatory forests, farewell.
I do not photograph nature. I photograph my visions.
That's the thing about musicians: The priority is to create something new that's never been before. And you put your life on the line every time that you play.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.
More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.
As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.
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