A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Louise BourgeoisRead
It is not a torment to be an artist. It is a privilege.
Interpretation
Being an artist is seen as a special opportunity rather than a burden.
This quote by Louise Bourgeois indicates that the experience of being an artist should be viewed as a privilege, emphasizing the joy and freedom that comes with creative expression. Instead of seeing the challenges and struggles often associated with artistic endeavors as torment, it reframes the artist's journey as a unique opportunity to share one's vision and emotions with the world.
In practice
This quote could inspire young artists at an art exhibition.
A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
It is not so much where my motivation comes from but rather how it manages to survive.
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
Art is a guarantee of sanity. That is the most important thing I have_x000D_ said.
How can I be useful, of what service can I be? There is something inside me, what can it be?
In art there are only fast or slow developments. Essentially it is a matter of evolution, not revolution.
I love inventing names, but I also collect unusual names, so that I can look through my notebook and choose one that suits a new character.
I put steam on the table by being an actor. That is how I live. The longer I live, the more expensive it becomes. So I do my work. And I can't be immensely picky. How many beautiful scripts come in one's lifetime? I have had more than anybody, practically.
The history of jazz lets us know that this period in our history is not the only period we've come through together. If we truly understood the history of our national arts, we'd know that we have mutual aspirations, a shared history, in good times and bad.
What is drawing? It is working oneself through an invisible iron wall that seems to stand between what one feels and what one can do.
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