Describing Starry Night: Firmament and planets both disappeared, but the mighty breath which gives life to all things and in which all is bound up remained.
Vincent Van GoghRead
How can I be useful, of what service can I be? There is something inside me, what can it be?
Interpretation
This quote reflects the desire to discover one's purpose and contribute meaningfully to the world.
Vincent Van Gogh's quote expresses an introspective quest for purpose and utility in life. He wonders about the inherent value within himself and how he can serve others, highlighting a profound connection between self-discovery and contributing to society. This reflects his artistic journey, where creativity blooms from both personal understanding and the desire to impact the world positively.
In practice
This quote can be shared at an art exhibition to inspire artists to explore their purpose.
Describing Starry Night: Firmament and planets both disappeared, but the mighty breath which gives life to all things and in which all is bound up remained.
To express a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones.
Great things do not just happen by impulse, _x000D_ but as a succession of small things linked together.
The world concerns me only in so far as I have a certain debt and duty to it, because I have lived in it for thirty years and owe to it to leave behind some souvenir in the shape of drawings and paintings β not done to please any particular movement, but within which a genuine human sentiment is expressed.
To believe in God for me is to feel that there is a God, not a dead one, or a stuffed one, who with irresistible force urges us towards more loving.
Since visiting the abatoirs of S. France I have stopped eating meat.
Music can lift us out of depression or move us to tears - it is a remedy, a tonic, orange juice for the ear.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
I grew up in what you might call a relentlessly creative household. We were given art supplies, music supplies... Our mother knew enough to get us started and then stand back and not meddle. My parents never said to us, 'Don't you think you'll need something to fall back on?' They acted as though creativity was completely normal.
People think that if you look fairly reasonable, you can't possibly act, and as I only care about acting, I think beauty can be a great handicap.
Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.
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