There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
There is - and always will be - the legacy of chattel slavery in this nation, an obsession with racial and gender differences, but I think that, at its best, this nation is capable of creating standards for itself and reaching towards those standards.
Interpretation
The quote speaks to the enduring impact of slavery and societal obsessions with differences, while expressing hope for a nation that can aspire to better standards.
Kehinde Wiley's quote addresses the complex legacy of chattel slavery in America and the ongoing fixation on racial and gender differences that stem from it. However, it also conveys a sense of optimism, suggesting that despite these historical challenges, the nation possesses the potential to establish and strive towards more equitable and just standards that promote unity and understanding among its diverse populace.
In practice
In a speech addressing diversity and inclusion efforts.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
If we can forgive whatβs been done to us... If we can forgive what weβve done to others... If we can leave all of our stories behind. Our being villains or victims. Only then can we maybe rescue the world.
For it is the dawn that has come, as it has come for a thousand centuries, never failing.
What makes a lot of sense is that, while people are incarcerated, give them the tools they need to be able to have a productive, lucrative living when they leave so they can provide for their families and break that cycle of recidivism.
The shift to a cleaner energy economy wont happen overnight, and it will require tough choices along the way. But the debate is settled. Climate change is a fact.
the shell must break before the bird can fly.
The Nation has not yet found peace from its sins; the freedman has not yet found in freedom his promised land. Whatever of good may have come in these years of change, the shadow of a deep disappointment rests upon the Negro people,βa disappointment all the more bitter because the unattained ideal was unbounded save by the simple ignorance of a lowly people.
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