You always hear these stories of how Hollywood is so merciless on composers and how they all get beaten up. Nobody beats me up as much as I beat myself up. This is what I love doing and I have one life to do it in, and I better do it right. I better do it well.
Interpretation
The quote expresses the idea that self-criticism can be more intense than external criticism, highlighting the passion for one's craft.
In this quote, Hans Zimmer reflects on the relentless nature of self-expectation and the pressure he places on himself as a composer. Despite acknowledging the harsh realities of the Hollywood music industry, he emphasizes his love for the art and the urgency to excel in his work since life offers limited opportunities to achieve greatness.
In practice
This quote could be used during a motivational speech for artists to encourage them to pursue their passion diligently.
The thing that hasn't changed, and I don't think will ever change, is that the operative word in music is "play." You have to have a playfulness about it. As the world shifts, it's starting to understand more and more that to have a playfulness about any and everything is actually the way of having a better life, or being more creative, or being more productive.
Anything can become a musical sound. The wind on telegraph wires is a great sound; get it into your machine and play it and it becomes interesting.
What's the point of getting up in the morning unless you're gonna have an adventure? As the moments of our life are ticking away you have to be aware that it needs to be an adventure
Trust me, if you're working on a $70 million movie and you're the last guy, you feel all that weight on your shoulders.
I've spent my life trying to make things simpler. Because I find ultimately that complicated doesn't reach the heart.
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
Everyone is a virtuoso on his own instrument, but together they add up to an intolerable cacophony.
Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it.
I learn poetry, learn text, and that really keeps you alive.
Stories are there to be told, and each story changes with the telling. Time changes them. Logic changes them. Grammar changes them. History changes them. Each story is shifted side-ways by each day that unfolds. Nothing ends. The only thing that matters, as Faulkner once put it, is the human heart in conflict with itself. At the heart of all this is the possibility, or desire, to create a piece of art that talks to the human instinct for recovery and joy.
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