Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
John SteinbeckRead
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.
Interpretation
Story writing has an elusive quality that cannot be easily defined or taught.
In this quote, John Steinbeck expresses his belief that the art of story writing possesses a unique, almost magical essence that resists formulaic instruction. He suggests that despite many attempts to create a definitive guide for writing stories, the intricacies of storytelling are deeply personal and cannot be universally transferred or replicated among individuals.
In practice
This quote can be used in a workshop about creative writing to emphasize the unique nature of storytelling.
Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
At one point, as Samuel urges Adam to raise his boys well regardless of the blood that might be in them, Adam tells him, "You can't make a race horse of a pig." Samuel replies, "No, but you can make a very fast pig.
And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
The comfortable people in tight houses felt pity at first, and then distaste, and finally hatred for the migrant people.
People do not want advice - they want corroboration.
It is one of the triumphs of the human that he can know a thing and still not believe it.
I feel like my job is to look at the world and to report what I see, to write what I see as honestly and directly as I can. I don't want to cut it or make it easy, but be as direct as I can.
I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
Artists should be free to create what we want. I believe there's a special value in work that is a reflection of oneself as opposed to interpretation. When I see a film or a TV show about black people not written by someone who's black, it's an interpretation of that life.
Tradition is the great misleader because it's too easy to follow what has already been done - even though you may think you're giving it a kick. I was really trying to invent, instead of merely expressing myself.
She knew this music--knew it down to the very core of her being--but she had never heard it before. Unfamiliar, it had still always been there inside her, waiting to be woken. It grew from the core of mystery that gives a secret its special delight, religion its awe. It demanded to be accepted by simple faith, not dissected or questioned, and at the same time, it begged to be doubted and probed.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
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