I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Mary OliverRead
I always feel that whatever isn't necessary shouldn't be in a poem.
Interpretation
A poem should be concise and meaningful, excluding any unnecessary elements.
Mary Oliver asserts that poetry should be stripped down to its essential components, emphasizing clarity and purpose. She believes that anything that does not contribute meaningfully to the overall message or emotion of the poem should be omitted, resulting in a more powerful and impactful artistic expression.
In practice
Using this quote during a poetry workshop to emphasize the importance of editing.
I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
At the time I was growing up, literature was involved with the so-called confessional poets. And I was not interested in that. I did not think that specific and personal perspective functioned well for the reader at all.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Every day I see or hear something that more or less kills me with delight, that leaves me like a needle in the haystack of light.
Athens, the eye of Greece, mother of arts And eloquence.
Real music will help you move towards meditation, beyond the mind needs, towards spiritual needs. Real poetry will give you a glimpse of the minds of the sages - a glimpse of course. It will open a window so you can see the faraway distant Himalayas. And then an urge arises in you, and you start travelling.
Art begins when a man, with a purpose of communicating to other people a feeling he once experienced, calls it up again within himself and expresses it by certain external signs.
I often conduct an orchestra in my sleep; my orchestras are so huge that the back desks of the violas vanish into the horizon. And everything is so wonderful.
I'm not interested in seeing dance die. It's not to my advantage. Nor is it to our culture's advantage or anybody else's.
Ah, good taste! What a dreadful thing! Taste is the enemy of creativeness.
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