An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
Art is a habit-forming drug. Art has absolutely no existence as veracity, as truth. People always speak of it with this great, religious reverence, but why should it be so revered?
Interpretation
Art is often idolized, yet it is a constructed concept that lacks inherent truth.
Marcel Duchamp's quote challenges the traditional perception of art by suggesting that it is not an objective truth but rather a subjective experience shaped by societal reverence. He questions why art is held in such high esteem, proposing that it functions like a 'drug,' creating habits and dependencies without a basis in absolute reality.
In practice
In a talk about the value of creativity in education, I used this quote to highlight how we perceive and construct the meaning of art.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.
When I don't have a story to tell, I'm a terror to live with.
I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
Without passion, all the skill in the world won't lift you above craft. Without skill, all the passion in the world will leave you eager but floundering. Combining the two is the essence of the creative life.
I have a real interest in pushing some of the limits of things that studios don't want to make.
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