Paint the flying spirit of the bird rather than its feathers.
Robert HenriRead
Art when really understood is the province of every human being. It is simply a question of doing things, anything, well. It is not an outside, extra thing.
Interpretation
Art is intrinsic to humanity, requiring only effort and commitment to excel.
This quote by Robert Henri emphasizes that art is a fundamental aspect of being human and accessible to everyone. He suggests that anyone can engage in artistic expression as long as they strive to do their work with care and dedication, implying that the ability to create art is not reserved for a select few but is a universal capacity.
In practice
In a motivational speech about self-expression and creativity.
Paint the flying spirit of the bird rather than its feathers.
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
You form a society: that limits you. Adopt a name, and you've limited yourself again; draw up a constitution and bylaws and you've made a groove, a rut, that hampers your growth. You think you can fix your course and move straight along it. But sometimes the important thing is to strike out sidewise.
After all, the goal is not making art. It is living a life. Those who live their lives will leave the stuff that is really art.
Do not let the fact that things are not made for you, that conditions are not as they should be stop you. Go on anyway. Everything depends on those who go on anyway.
In making movies, time is so short-because it is so expensive-that we tend to neglect the place from which the best ideas come, namely that part of ourselves that dreams. The unconscious is our best collaborator.
Imagining [The Wizard of Oz] without Judy Garland is a bit like dancing on wet cement: you can do it, but why would you want to?
Let us not mince words: the marvelous is always beautiful, anything marvelous is beautiful, in fact only the marvelous is beautiful.
Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.
Films have degenerated to their original operation as carnival amusement - they offer not drama but thrills.
The biggest thrill you can have is to tell people one of your songs, and have them be able to hum it.
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