An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
I shy away from the word 'creation.' In the ordinary, social meaning of the word - well, it's very nice, but fundamentally, I don't believe in the creative function of the artist. He's a man like any other.
Interpretation
Duchamp suggests that artists are not fundamentally different from others and questions the traditional notion of creativity.
In this quote, Marcel Duchamp expresses skepticism about the commonly held belief that artists possess a unique creative function that sets them apart from everyone else. He implies that the label 'creation' may hold an appealing social connotation, but at its core, artistry is not about some extraordinary ability; rather, artists are just individuals who reflect human experience like anyone else.
In practice
In a discussion on artistic identity, this quote can help illustrate the idea that all human beings share similar creative capacities.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Every time you do something, people are going to like it, people are going to hate it. You tend to make the movies on the basis you are making them for the people who are going to like them and not worrying too much about people who don't like them.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
Yes, I've always been fashion conscious.
The only writers who have any peace are the ones who don't write. And there are some like that. They wallow in a sea of possibilities. To express a thought, you first have to limit it, and that means kill it. Every word I speak robs me of a thousand others, and every line I write means giving up another.
When I am no longer controversial, I will no longer be important
I try to read a lot and listen to a lot of good songwriters, and I try to actually work on the craft of writing a song rather than just leaving it up to inspiration.
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